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ANONYMOUS, Song Dynasty style
美国 北京时间
09月17日 晚上9点 开拍 / 09月15日 下午3点 截止委托
拍品描述 翻译
PROPERTY FORMERLY IN THE TIEN YIN TANG COLLECTION ANONYMOUS, Song Dynasty style Pair of Ducks and Lotus Hanging scroll, ink and color on silk, absent signature and seals; with a wooden box inscribed by Guo Yimin (1892-1974). 55 3/4 x 29in (141.5 x 73.5cm) Footnotes 無款 仿宋人荷塘雙鴨 設色絹本 立軸 鑒藏印二:漫漶難辨 Provenance: The Tien Yin Tang Collection Published: Tien Yin Tang ed. Tien Yin Tang Collection: One Hundred Masterpieces of Chinese Painting Volume 1. Tokyo: Tien Yin Tang, 1963, no. 5. Cahill, James. An Index of Early Chinese Painters and Paintings: Tang, Sung, Yuan. Berkeley: University of California Press, 1980, p.234. 來源: 天隱堂舊藏 出版: 《天隱堂名畫選》第一集,東京:天隱堂,1963年,圖錄編號五 高居翰(James Cahill)著,《中國古畫及畫家索引:唐宋元》(An Index of Early Chinese Painters and Paintings: Tang, Sung, Yuan),伯克利:加州大學出版社,1980年,頁234 The Tien Yin Tang Collection 天隱堂珍藏 Lots 363-366 The Tien Yin Tang collection was founded by a prominent diplomat, educator and collector from Xingtang, Hebei. He acquired his Ph. D degree from the Cornell University, then taught at the Yenching University as a professor, and served as an official at the Education Department of the Nationalist government. In 1946, he was appointed the acting mayor of Beijing and in 1949 relocated to Taiwan. From 1950 to 1964, he spent the majority of his time in Japan, representing the government of Taiwan as a diplomat. Upon his return to Taiwan, he served as the Secretary General of the Asian-Pacific Parliamentarians' Union. The Tien Yin Tang collection of classical Chinese painting and calligraphy was established during the collector's time in Japan, and a selection of the works was published in the two-volume catalogs Tien Yin Tang Collection: One Hundred Masterpieces of Chinese Painting. He regarded the publication as a visual preservation of the ancient treasures, many of which were destroyed during times of conflict. The catalogues feature masterpieces by esteemed artists such as Bada Shanren (1626-1705), Wang Hui (1632-1717), Weng Zhengming (1470-1559) and Song dynasty artists. However, as stated in the preface of the catalog, "it is not always the work from the brush of a famous artist, nor the piece of work bearing the signature of a well-known man that arouses my greatest interest...As for judging the qualities of a work,...I still judge their qualities by what I see and how I feel about them." 天隱堂主人為河北行唐人,駐日公使、教育家、收藏家,獲美國康奈爾大學博士學位,曾任北平燕京大學教授,並於民國時期國民政府教育部任多職。1946年,著代理北平市長。1949年,遷居台灣。1950至1965年間,至日本為公使。回台後,於亞洲國會議員聯合會任秘書長。 天隱堂主居日期間,暇時搜尋古字畫,遂有此藏珍。其中百幅精品,被收錄入《天隱堂名畫選》,於其離日前一年付梓。據其所撰《序》言,「惟物聚必有是,紛失焚燬......幸有未紛失或焚燬也,先行付印,公諸同好:俾古人心血,得以流傳而不泯滅」。此圖錄中多有大家如八大山人、王翚、文徵明等之力作,然天隱堂主言及其購藏門檻,謂「顧余之所好,未必作者之必為名人,作品之必有名欵;更不問其時代之遠近,與有無名人之題跋,或曾否見於著錄。真、贗、高、下,悉以吾神之所遇,與心之所許定之。」 For further information about this lot please visit the lot listing

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