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A FAMILLE VERTE ‘ELEGANT BEAUTY IN A PALACE GARDEN’ DISH, KANGXI PERIOD
奥地利 北京时间
10月17日 下午5点 开拍
拍品描述 翻译
A FAMILLE VERTE ‘ELEGANT BEAUTY IN A PALACE GARDEN’ DISH, KANGXI PERIOD

China, 1662-1772. Finely potted with shallow rounded sides supported on a short tapered foot and rising to an everted rim, the interior superbly decorated with bright enamels in shades of green, aubergine, yellow, and blue with iron-red and gilt accents to depict a court lady standing in front of a table with incense accoutrements and two stools in a fenced garden with craggy rockwork and leafy shrubbery, dressed in long flowing robes decorated with large emblems to the front and tied at the waist, holding a fan to her chest, her face with a gentle smile, all below the full moon shining in gilt.

Provenance: The Ionides Collection, and thence by family descent to Lady Camilla Panufnik. Born to a leading Anglo-Jewish family with trade connections in China and Japan, Nellie Ionides (1883-1962) was well known as a collector, connoisseur, philanthropist, and expert on Chinese porcelain. She married Basil Ionides (1884-1950), a member of the Greek shipping family, who, like her own, were great patrons and philanthropists. Basil Ionides is particularly remembered as the pioneering Art Deco designer of The Savoy Theatre and Claridges. Nellie and Basil Ionides shared a love of the arts and were both collectors, bequeathing items to various museums, including the Victoria and Albert. Nellie had a special admiration for Chinese porcelain, especially the blue and white and famille verte wares of the Kangxi period, and has been credited with having an almost intuitive gift for discovering museum quality pieces in the Brighton Lanes, the Tunbridge Wells Pantiles, and the antique shops and auction houses of Sussex, Surrey, and London. Her granddaughter Lady Camilla Panufnik (b. 1937, née Jessel), the widow of Polish composer and conductor Andrzej Panufnik, has observed: “My grandmother, Nellie Ionides, was an impassioned collector. She loved each item that she found, had restored and brought home. At the end of her life, when she realized that almost everything would have to be sold to cover her death duties, she used to say she only wished she could be present at the sales to see who bought her favorite treasures, and indeed, to see how much they all went for under the auctioneer's hammer.”
Condition: Near-perfect condition with only minor wear and rubbing to gilt. Some firing irregularities including few dark spots. A minuscule nibble to the rim at one o’clock.

Weight: 154.6 g
Dimensions: Diameter 15.2 cm

The recessed base with an apocryphal underglaze-blue six-character kaishu mark da Ming Chenghua nianzhi within a double circle.

Auction result comparison:
Type: Closely related
Auction: Sotheby’s London, 2 November 2022, lot 333
Price: GBP 30,240 or approx. EUR 38,500 converted and adjusted for inflation at the time of writing
Description: A pair of famille-verte 'lady and child' saucer dishes, Qing dynasty, Kangxi period
Expert remark: Compare the closely related form, subject, decoration, and identical size (15.2 cm) with similar gilt and enamels. Note that this lot comprises two dishes.

Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 19 March 2019, lot 350
Price: USD 32,500 or approx. EUR 37,000 converted and adjusted for inflation at the time of writing
Description: A famille-verte 'elegant beauty' dish, Kangxi mark and period
Expert remark: Compare the closely related form, subject, decoration, and identical size (15.2 cm), with similar gilt and enamels. Note the Kangxi reign mark.

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