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A MONUMENTAL AND HIGHLY IMPORTANT SANDSTONE FIGURE OF BUDDHA, PRE-ANGKORIAN PERIOD, ZHENLA KINGDOM, 550-802
奥地利 北京时间
10月17日 下午5点 开拍
拍品描述 翻译
A MONUMENTAL AND HIGHLY IMPORTANT SANDSTONE FIGURE OF BUDDHA, PRE-ANGKORIAN PERIOD, ZHENLA KINGDOM, 550-802

Mekong Delta, circa 7th century. Boldly carved in a powerful pose, seated in ardhapadmasana on a double-lotus base, the figure’s hands rest in dhyana mudra. Draped over the left shoulder is a diaphanous uttarasanga. The serene face, with downcast eyes, gently arched brows, and full lips forming a subtle smile, is crisply defined. The lips and eyelids are finely incised, flanked by elongated earlobes. The hair, arranged in large snail-shell curls, crowns the domed ushnisha.

Provenance: Angelo Attili, Parma, Italy, acquired in Hong Kong during the late 1980s. Leonardo Vigorelli, Bergamo, Italy, acquired from the above. Angelo Attili was an Asian art dealer based in Parma, Italy, specializing in classical and tribal works of art from India, Nepal, China, and Southeast Asia. He was a widely respected expert who regularly exhibited at major art fairs. Leonardo Vigorelli, a retired Italian art dealer and renowned collector, once specialized in African and ancient Hindu-Buddhist art. With a background in anthropology and decades of travel and field research across India, the Himalayas, Southeast Asia, and Africa, he founded the prestigious Dalton Somaré art gallery in Milan, now managed by his two sons.
Condition: Very good condition, commensurate with age. Old wear, natural imperfections, few nicks, small chips, some losses, encrustations, and signs of weathering and erosion. Remnants of ancient gilt. Old repairs to one leg. Overall, displaying exceptionally well.

Dimensions: Height 109 cm

The present statue reflects the seventh-century style associated with the Mekong Delta and the Zhenla kingdom, a successor polity to the kingdom of Funan, preceding the Khmer Empire. Zhenla, or Chenla as designated by the Chinese, existed from the late 6th to early 9th century in Indochina. However, there is debate among historians about whether Chenla was a unified kingdom or a series of loose confederations, as suggested by Chinese chroniclers.

Like Funan, Chenla occupied a strategic position at the convergence of the Indosphere and East Asian cultural spheres, leading to significant socio-economic and cultural influences. This included the adoption of the epigraphic systems of the South Indian Pallava and Chalukya dynasties. Originally a regional center within Funan, Chenla gained recognition as a separate political entity in the late sixth century, with Bhavavarman I as its independent ruler. However, considerable scholarly debate persists regarding Chenla’s geographic origin, extent, territorial dynamics, and whether it was a unified entity under a single leadership.

Literature comparison:
Compare a closely related sandstone seated Buddha, Vietnam, 7th-8th century, 40.3 cm high, in the Metropolitan Museum of Art, accession number 1980.526.3. According to the Met, the “statue is in a style of the seventh century associated with the Mekong Delta and the Zhenla kingdom.” Compare also a closely related sandstone figure of Buddha in meditation, Southern Vietnam, 8th-9th century, 46.5 cm high, in the National Museum of Vietnamese History, Ho Chi Minh City, accession number BTLS 5519, and exhibited in the Metropolitan Museum of Art, Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century, 14 April – 27 July 2014, cat. no. 47. Compare a closely related sandstone seated Buddha, Angkor Borei, dated second half of the 6th century, 120 cm high, exhibited ibid., cat. no. 43.

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