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A POLYCHROME STUCCO FRESCO FRAGMENT DEPICTING TWO CELESTIAL MAIDENS, YUAN TO MING DYNASTY
奥地利 北京时间
10月17日 下午5点 开拍
拍品描述 翻译
A POLYCHROME STUCCO FRESCO FRAGMENT DEPICTING TWO CELESTIAL MAIDENS, YUAN TO MING DYNASTY

China, 13th-16th century. Finely painted in polychrome pigments with details picked out in gesso relief. Depicting two celestial maidens adorned in elaborate layered robes, billowing scarves, and high jeweled headdresses, one looking to the side with downcast eyes and holding a lotus blossom, the other facing the viewer and holding a massive jade chime, the background with thick swirling clouds.

Provenance: From a German private collection.
Condition: Very good condition, commensurate with age. Old wear and expected age cracks, losses and fading to the pigments, showing evidence of various periods of minor retouching. The frame with some wear, nicks, and scratches. Presenting very well overall. The gesso in particular is exceptionally well preserved.

Dimensions: Size 83 x 54 cm

The painting belongs to an important group of Buddhist stucco works dating from the Late Yuan to Early Ming dynasties, featuring ‘Court’ and ‘Paradise’ scenes from monasteries that date from the 12th to 13th centuries, containing a painting repertoire favored during the Tang dynasty. The style of painting in this fresco is reminiscent of the Tang dynasty painter Wu Daozi (c. 685–758) and was ideal for painting religious figures. Unlike earlier modes stressing precise contours, the whirling spiritual energy of this brushwork gives the impression of qi, or inner life.

The style of the present fresco is inspired by the late Tang dynasty temple painting style. This is evident in the treatment of the roundness of the 'melon-seed'-shaped faces and the billowing robes, giving a dynamism to the work, which was popular amongst builders and decorators of Buddhist temples of the time and continued throughout the Song, Yuan, and Ming dynasties.

Literature comparison:
For a discussion on the creation of Yuan and Ming wall frescos, and their context in monasteries, see Ka Bo Tsang, Further Observations on the Yuan Wall Painter Zhu Haogu and the Relationship of the Chunyang Hall Wall Paintings to ‘The Maitreya Paradise’ at the ROM.” Artibus Asiae, vol. 52, no. 1/2, 1992, pp. 94-118.

Auction result comparison:
Type: Closely related
Auction: Christie’s, New York, 17 September 2008, lot 379.
Price: USD 15,000 or approx. EUR 20,000 converted and adjusted for inflation at the time of writing
Description: A large polychrome fragment of a Buddhist fresco, Yuan / Ming dynasty
Expert remark: Compare the closely related subject and manner of painting. Note the size (84.5 x 55.9 cm).

Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 11 September 2019, lot 816
Price: USD 37,500 or approx. EUR 40,500 converted and adjusted for inflation at the time of writing
Description: A polychrome stucco fresco fragment, Yuan / Ming dynasty
Expert remark: Compare the closely related subject and manner of painting. Note the size (77.5 x 45.5 cm).

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拍品估价:3,000 - 6,000 欧元 起拍价格:3,000 欧元  买家佣金: 35.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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