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*AN EXCEPTIONAL MINH MẠNG IMPERIAL CEREMONIAL SWORD INLAID WITH RUBIES AND MOUNTED WITH GOLD Vietnam, Nguyễn dynasty, 21st year of Minh Mạng's reign, 1840. The sword features an elongated S-shape with a spiral-carved ivory grip mimicking a wove
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2024年11月18日 开拍
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拍品描述 翻译
*AN EXCEPTIONAL MINH M?NG IMPERIAL CEREMONIAL SWORD INLAID WITH RUBIES AND MOUNTED WITH GOLD Vietnam, Nguy?n dynasty, 21st year of Minh M?ng's reign, 1840. The sword features an elongated S-shape with a spiral-carved ivory grip mimicking a woven rattan handle. The opposite end is connected to a gold repoussé sword guard with two sinuous dragons amidst cloud scrolls, crafted with extreme precision and refinement. The pommel, locket, and chape share similar decorations, while the suspension mount and throat are adorned with blossoms on leafy, scrolling stems. The scabbard is lacquered in red over a wooden core. On the octagonal guard’s side engraving in Chinese characters ‘明命贰拾一年奉刻八五黄金共重八兩七寸七分 ‘(possibly be translated to ‘Engraved in the 21st year of Minh M?ng, using 85% pure gold (20 carat), with a total weight of 8 taels, 7 maces, and 7 candareens’). On both sides of the scabbard, specifically in the area close to the guard carved with two inscriptions: “内造 臣 杜?造” (imperially made, your subject, ?? Tan made); “二號” (number two).Each stroke of a Chinese character is completed by individual dots. The sword with a steel blade slightly curved with hollow sides and a flat back. Engraved with a trophy of arms and floral decorations. Signed by the manufacturer at the base with S&K. S&K (Schnitzer & Kirchbaum) was a blade manufacturer based in Solingen, active from 1811 to 1864. Renowned for its high-quality and luxury range, particularly for officers, Schnitzer & Kirchbaum exported blades to armies worldwide. This specific blade is the same type used in the French infantry officer sabers of the 1821 model. Overall Length: 96.5cm Blade Length: 74 cm Approximately weight of gold: 350 g CITES N°FR2407100031-K Provenance: Private French collection of Colonel P. Le Lann, acquired about 20 years Note Like all East Asian countries, the most treasured symbols of royal authority and legitimacy are swords, such as those of Nguy?n emperors, with gold hilts, inlaid with gems, and carved with dragon heads. These swords were not meant for battle; they were royal insignia, symbolizing the supreme power of the empire. Vietnamese swords were influenced by several regions, including China, Japan, Southeast Asia, and Europe. Under the Nguy?n dynasty, special ceremonial swords were created for emperors, senior officials, and their attendants as symbols of status. After extensive research by our expert team, no additional records of Emperor Minh M?ng's other swords were found. The No. 2 marking on this sword suggests it was originally part of at least a pair. The blade was made in Germany, but the intricate ivory carving of the grip, the red lacquer on the scabbard, and the mounted repoussé gold dragons are all crafted in the traditional style of the Vietnamese royal court. The only comparable imperial sword is that of B?o Dai, the last emperor of the Nguy?n dynasty, which is currently housed in the Vietnam National Museum of History. A Chinese scholar specializing in ancient cold weapons, who serves as the editor of the magazine Ordnance Knowledge and has published numerous books on cold weapons worldwide, compared this Minh M?ng sword with Qing dynasty imperial swords from the same period. He remarked that the gold repoussé craftsmanship exhibited in this Vietnamese sword surpasses the high standards of the Qing dynasty, highlighting the exceptional skill demonstrated by Vietnamese artisans. In royal collections, we find altars made of gold and adorned with precious gems. These items were expertly crafted by the finest goldsmiths under the supervision of a royal agency known as Kim Ngan Tuong Cuc, which literally translates to Department of Gold and Silver Statues” founded by King Minh Mang himself in 1834 under the oversight of the Ministry of Internal Affairs. This establishment gathered the most adept goldsmiths in the country, specializing in crafting gold, silver, and precious stone items for the royal family and the court. Alongside the Kim Ngan Tuong Cuc, the Nguyen Dynasty also established two other Tuong Cucs to produce gold and silver items. These were the Kim Mao Tuong Ty, which concentrated on creating gold crowns for the king and the royal family, and the Kim Tuong Tuong Ty, which specialized in crafting gold-plated items. The craftsmanship displayed in these objects highlights the extraordinary skill and attention to detail that characterized royal artisans of the time. Emperor Minh M?ng (1791–1841) was the second ruler of the Nguy?n dynasty in Vietnam, reigning from 1820 until his death in 1841. Known for his strong Confucian beliefs, Minh M?ng was a centralizing and reformist ruler. He reorganized the country's administrative system, strengthened royal authority, and consolidated Vietnamese control over the southern territories of Champa and parts of Cambodia. Minh M?ng was also noted for his opposition to French colonial influence and Christian missionaries, enacting strict isolationist policies. His reign, however, saw tension with Western powers that would later lead to colonial conflicts. During his reign from 1820 to 1840, Emperor Minh Mang of the Nguyen Dynasty in Vietnam adopted a diplomatic approach towards Western countries. He was known for his intelligence from a young age and his strong adherence to Confucianism, while showing little sympathy towards Western religions. Minh Mang's diplomatic policy towards the West can be divided into four distinct stages, each characterized by different policies. The increasing influence of Western capitalism posed a threat to the independence of Asian countries, significantly impacting Minh Mang's diplomatic stance towards Western nations. Between 1839 and 1840, Emperor Minh M?ng shifted his foreign policy in response to changes in both domestic and international contexts, particularly after witnessing the Opium War in China. Realizing that his anti-Western, isolationist stance, particularly regarding Catholicism, was no longer sufficient, Minh M?ng began exploring diplomatic cooperation with Western nations. He sent missions to France and England in hopes of establishing formal relations. This sword, collaboratively crafted by Germany and Vietnam, serves as a significant historical artifact that bears witness to the pivotal shift in Minh M?ng’s foreign policy between 1839 and 1840. In early 2000’s, French Colonel Pierre. Le Lann purchased this sword with a very poor condition, he recalled: the sword was completely black, possibly from being hung above a fireplace in a French castle for a long time, causing it to become smoke-stained. When I began cleaning and polishing it, I was shocked to see the golden dragon head emerge. Colonel Le Lann is born in 1937, he is a career military officer whose exemplary career has left a mark on the history of the French army. He began his career as a non-commissioned officer before being deployed to Algeria, where he actively participated in military operations. His service in this conflict, as well as in Central Africa, was highly successful, earning him several decorations and commendations for his courage and determination. Passionate about military history from a young age, Pierre Le Lann began collecting at the age of 15. He started with the Napoleonic era and expanded through various themes before broadening his interest to oriental weapons. His collection, rich and varied, reflects his knowledge and passion for military art. Each piece in his collection is carefully chosen, combining rarity, beauty, and quality. Recognized both for his field commitment and his expertise in ancient weaponry, Colonel Lelann embodies military excellence and historical knowledge. The sword is inscribed with the specific weight of the gold used: 8 taels (8x37g), 7 maces (7x3.12g), and 7 candareens (7x0.375g). After converting these ancient Asian weight units, the total weight closely matches the 350g recorded by the colonel after disassembling and weighing each part of the sword during cleaning. This consistency highlights the precision and meticulous craftsmanship of the Nguy?n dynasty’s goldsmiths in the royal court. M?T THANH KI?M NGHI L? TRI?U MINH M?NG XU?T S?C, ???C N?M H?NG NG?C Và G?N VàNG. VI?T NAM, TRI?U NGUY?N, N?M TH? 21 TRI?U MINH M?NG, 1840. Thanh ki?m có hình dáng ch? S kéo dài v?i cán làm t? ngàvoi ???c ch?m xo?n, m? ph?ng theo tay c?m may ?an. Ph?n??u ng??c l?i ???c n?i v?i t?m ch?n ? ??c ki?m b?ng vàngch?m n?i, kh?c hai con r?ng u?n l??n gi?a nh?ng ?ám may, ???c ch? tác v?i ?? chính xác và tinh t? cao. Chu?i ki?m, khóa và v? ki?m có các h?a ti?t trang trí t??ng t?, trong khigiá treo và c? ki?m ???c trang trí v?i hoa v?n; hoa n? trên cácr?m lá. Bao ki?m ???c làm t? s?n mài màu ?? trên l?i g?. Trên m?t bên c?a h?p b?o v? ki?m hình bát giác có kh?c ch? Hán ‘明命貳拾一年奉刻八五黃金共重八兩七寸七分’, có th? d?ch là ‘Kh?c vào n?m th? 21 tri?u Minh M?ng, s? d?ng vàng 85% nguyên chat (20 ca-ra), v?i t?ng tr?ng l??ng là 8 l??ng, 7 th?n và 7 phan’. Trên c? hai m?t c?a v? ki?m, g?n khu v?c g?n t?m ch?n ? ??c ki?m, có kh?c hai dòng ch?: ‘内造臣杜?造’ (N?i t?o, th?n ?? Tan ch? t?o) và ‘二號’ (s? hai). M?i nét ch? Hán ???c hoàn thi?n b?ng nh?ng ch?m ???c ch?m riêng l?. Thanh ki?m có l??i thép h?i cong v?i hai m?t r?ng và s?ngki?m ph?ng. ???c kh?c các h?a ti?t trang trí binh khí chi?nth?ng và hoa v?n. ???c ky tên nhà s?n xu?t ? ph?n g?c v?iS&K. S&K (Schnitzer & Kirchbaum) là m?t nhà s?n xu?t l??i ki?mcó tr? s? t?i Solingen, ho?t ??ng t? n?m 1811 ??n n?m 1864. N?i ti?ng v?i ch?t l??ng cao và dòng s?n ph?m xa x?, ??c bi?tdành cho các s? quan, Schnitzer & Kirchbaum ?? xu?t kh?ul??i ki?m cho các quan ??i trên toàn th? gi?i. Lo?i l??i ki?mnày c?ng ???c s? d?ng trong ki?m c?a s? quan b? binh Pháp, m?u 1821. Xu?t x?: B? s?u t?p c?a ??i tá P. Le Lann ng??i Pháp, ???cmua cách ?ay kho?ng 20 n?m. Chi?u dài t?ng th?: 96,5cm Chi?u dài l??i ki?m: 74 cm Tr?ng l??ng vàng x?p x?: 350 g Gi?ng nh? t?t c? các qu?c gia ??ng á, bi?u t??ng ???c tran quy nh?t c?a quy?n l?c và s? h?p pháp hoàng gia là nh?ng thanh ki?m, ch?ng h?n nh? c?a các hoàng ?? nhà Nguy?n, có chu?i ki?m b?ng vàng, ?ính ?á quy và kh?c ??u r?ng. Nh?ng thanh ki?m này kh?ng dùng ?? chi?n ??u; chúng là bi?u t??ng hoàng gia, th? hi?n quy?n l?c t?i cao c?a ?? ch?. Ki?m Vi?t Nam ch?u ?nh h??ng t? nhi?u khu v?c, bao g?m Trung Qu?c, Nh?t B?n, ??ng Nam á và chau ?u. D??i tri?u Nguy?n, nh?ng thanh ki?m nghi l? ??c bi?t ?? ???c ch? t?o cho các hoàng ??, quan ch?c c?p cao và ng??i h?u c?a h? nh? nh?ng bi?u t??ng c?a ??a v?. Sau khi nghiên c?u k? l??ng b?i ??i ng? chuyên gia, kh?ng tìm th?y thêm ghi chép nào v? các thanh ki?m khác c?a vua Minh M?ng. D?u hi?u “S? 2” trên thanh ki?m này g?i y r?ng nó ban ??u là m?t ph?n c?a ít nh?t m?t c?p. L??i ki?m ???c s?n xu?t t?i ??c, nh?ng ph?n kh?c tinh x?o trên cán ngà voi, s?n mài ?? trên v? ki?m và các h?a ti?t r?ng ch?m n?i b?ng vàng ??u ???c ch? tác theo phong cách truy?n th?ng c?a tri?u ?ình hoàng gia Vi?t Nam. Thanh ki?m hoàng gia t??ng ???ng duy nh?t là c?a B?o ??i, v? hoàng ?? cu?i cùng c?a tri?u Nguy?n, hi?n ?ang ???c l?u gi? t?i B?o tàng L?ch s? Qu?c gia Vi?t Nam. M?t h?c gi? Trung Qu?c chuyên v? v? khí l?nh c? ??i, ng??i biên t?p t?p chí Ordnance Knowledge và ?? xu?t b?n nhi?u cu?n sách v? v? khí l?nh trên toàn th? gi?i, ?? so sánh thanh ki?m Minh M?ng này v?i ki?m hoàng ?? tri?u Thanh cùng th?i k?. ?ng nh?n xét r?ng k? thu?t ch?m n?i vàng trên thanh ki?m Vi?t Nam này v??t qua tiêu chu?n cao c?a tri?u Thanh, nh?n m?nh k? n?ng xu?t s?c c?a các ngh? nhan Vi?t Nam. Trong các b? s?u t?p hoàng gia, chúng ta th?y nh?ng bàn th? b?ng vàng và ?ính ?á quy. Nh?ng món ?? này ???c ch? tác tinh x?o b?i nh?ng th? kim hoàn gi?i nh?t d??i s? giám sát c?a m?t c? quan hoàng gia ???c g?i là Kim Ngan T??ng C?c, ???c vua Minh M?ng thành l?p n?m 1834 d??i s? qu?n ly c?aB? N?i v?. Xin g?i l?i c?m ?n ??c bi?t ??n ?ng Tr?n ?ình Long Van vì nghiênc?u và b?n d?ch ti?ng Vi?t, chuyên gia quan s? Emmanuel Delgado vìnghiên c?u v? l??i ki?m, nhà s? h?c ??c l?p v? ngh? thu?t Vi?t Nam ?ng Philippe Truong vì nh?ng nghiên c?u và t? v?n c?a ?ng, vàchuyên gia v? v? khí c? ??i Trung Qu?c ?ng V??ng Huy vì nh?ngnghiên c?u c?a ?ng Lots marked with a (*) symbol may be subject to CITES Regulations when exported. Several countries prohibit the importation of property containing materials from endangered species, such as rhino horn, ivory, coral and tortoiseshell. Compared to the printed catalog, the digital version has some minor revisions. Please refer to the official website description as the standard. So v?i b?n in gi?y, phiên b?n ?i?n t? có m?t s? ch?nh s?a nh?. Vui lòng tham kh?o m? t? trên trang web chính th?c ?? làm chu?n.
1. The sword is well-preserved throughout. 2. The pommel cap is not original; it appears to be a replacement made after the original was lost. 3. There is a crack on the leaf-shaped gold ornament connecting to the ivory hilt. 4. The red lacquer on the scabbard shows signs of wear and black stains. 5. The ivory hilt has normal age-related cracks. Compared to the printed catalog, the digital version has some minor revisions. Please refer to the official website description as the standard. 1. Thanh b?o ki?m ???c b?o qu?n t?t toàn b?. 2. N?p c?a pommel kh?ng ph?i nguyên b?n; có v? là ?? thay th? sau khi n?p g?c b? m?t. 3. Có m?t v?t n?t trên mi?ng trang trí hình lá k?t n?i v?i chu?i ki?m b?ng ngà. 4. L?p s?n mài ?? trên v? ki?m b? mài mòn và xu?t hi?n các v?t b?n màu ?en. 5. Trên chu?i ki?m b?ng ngà có các v?t n?t t? nhiên do th?i gian gay ra. So v?i b?n in gi?y, phiên b?n ?i?n t? có m?t s? ch?nh s?a nh?. Vui lòng tham kh?o m? t? trên trang web chính th?c ?? làm chu?n.

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