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A FINELY CARVED LIANGZHU JADE CONG 良渚文化 玉琮 Neolithic Period, Liangzhu Culture The thin-walled cong of short cylindrical square section, the sides divided into three registers, each carved with a stylised mask formed by several horizonta
爱尔兰
2024年11月18日 开拍
拍品描述 翻译
l striated bands above the incised round eyes and a short bar, the stone of greyish-green tone with beige inclusions and areas of calcification. The inner wall of the jade cong has an antique shop label L. Michon/156, bd. Haussmann Paris/Chine ancien affixed to it. H.10.4cm NOTE The Liangzhu culture originated in the Jiangsu and Zhejiang regions around 4,000 years ago, with the cong being its most distinctive form. Originally, the cong served as a ritual object used in land worship ceremonies, but it later evolved into a jade ornament known as a jade bit. This piece is made of jade, with some areas affected by natural alteration. The object is cylindrical, with a circular hole running through the center from top to bottom, featuring an outer square and inner circle design typical of cong artifacts. Short projections extend from the top and bottom, while the outer surface is adorned with evenly spaced shallow reliefs of simplified human-like deity faces. The decoration is divided into three sections, each with two alternating convex and concave string patterns near the top. At the corners of the outer wall, raised carvings depict deity faces with large noses, though the eyes have been simplified and left uncarved. These deity face motifs represent the emblem of the Liangzhu culture, symbolizing profound primitive religious and social meaning. As a representative artifact of the Liangzhu culture, the jade cong carries cultural significance, believed to connect heaven, earth, and the divine. Despite its small size, the craftsmanship is exceptionally meticulous, with well-defined contours. Upon close examination, hand-carved marks are visible. The overall design is elegant and austere, exuding an air of mystery and antiquity, reflecting the simple yet refined characteristics of Liangzhu jade art. This piece stands out as a fine example among cong-style jade ornaments. 良渚文化發源於四千年前的江浙地區,其中以「琮」最具代表性。琮最初是用作祭祀土地的禮器,後來演變成玉勒形式,成為佩飾。此玉器質地優良,部分有沁色,器形為柱狀,上下貫穿圓孔,外方內圓,呈現典型的琮式結構。上下有短射,外壁均勻分布淺浮雕的簡化神人面紋,紋飾分為三節,每節上方飾有兩道凹凸交錯的弦紋。外壁轉角處雕刻出大鼻的神人面紋,雙眼簡化未雕,這是良渚文化「神徽」的標誌性紋飾,體現了深厚的原始宗教和社會內涵。 此玉琮作為良渚文化的代表性器物,蘊含著通達天地神靈的文化意涵。雖然器體較小,但雕琢工藝極其精細,輪廓清晰,放大觀察可見手工雕刻的痕跡。整體造型古樸端莊,紋飾神秘深沉,展現了良渚玉器素雅高古的特質,堪稱琮式玉勒中的佳作。

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