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Oil on canvas, featuring abstract painting of eyes. Signed and attr. Leopold Survage (1879-1968). Signature on the lower left corner. Torn canvas on left side of the painting. Léopold Survage was a Finnish-born French artist who produced dynamic abstractions of city scenes. Fracturing perspectival space into planar segments, he constructed multiple viewpoints within larger compositions. In this way, structures, flowers, trees, curtains, and birds are reorganized into a fragmented yet coherent pictorial space. In what is perhaps his best-known series, Colored Rhythm: Study for the Film (1913), Survage sought to create a sense of animation through the static medium of painting. “Colored music is in no way an illustration or an interpretation of a musical work,” he once explained. “It is an autonomous art, although based on the same psychological principles as music.” Born on July 31, 1879 in Lappeenranta, Finland, Survage intended to take on his father’s piano factory business but instead studied at the Moscow School of Painting, Sculpture, and Architecture, where met Alexander Archipenko. The artist moved to Paris in 1910, where he became the studio mate of Amedeo Modigliani and began designing sets and costumes for Sergei Diaghilev’s Ballet Russes. After coming under the influence of the Surrealist André Masson in the 1930’s, Survage’s subject matter became increasingly mystical. PROVENANCE: Southern Ontario Estate. 21 x 24 in
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By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
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American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.