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TSUKIOKA YOSHITOSHI: FLOWERING CHERRY TREES - MIZUKI TATSUNOSUKE
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述 翻译
TSUKIOKA YOSHITOSHI: FLOWERING CHERRY TREES - MIZUKI TATSUNOSUKE

By Tsukioka Yoshitoshi (1839-1892), signed Yoshitoshi with seal Taiso
Japan, dated June 1891

Color woodblock print on paper. Vertical oban. Signed Yoshitoshi with seal Taiso; publisher Akiyama Buemon. Title Flowering Cherry Trees - Mizuki Tatsunosuke, number 94 from the series Tsuki no hyakushi (One Hundred Aspects of the Moon).

The actor Mizuki Tatsunosuke is portrayed enjoying the evening along the river with the moon in view. His forehead is covered with a purple scarf – the onnagata shaved their forehead – and he has an androgynous-style topknot. He is dressed in a bright robe with the feminine sleeves of a wakashu (a male prostitute). Blindprinting to sections of the robe and the white tile cartouche.

Inscribed with a poem in the title cartouche, ‘sakura saku/ Sumida no kawa ni/ uku fune mo/ kurete Sekiya ni/ tsuki o koso mire’ [Cherry trees blossom by the Sumida river/ boats fade from view in the gathering dusk/ at Sekiya as I view the moon].

SIZE of the sheet 34.4 x 24.3 cm

Condition: Good condition with minor wear and slight browning of paper. The colors slightly faded. The bottom-left corner with some rubbing. Slightly trimmed margins. The back reinforced with washi tape to the long edges and backed with Japan paper.
Provenance: From the estate of Sear Hang Hwie Pao (1937-2009). Pao was one of Canada’s leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto’s trendy Yorkville area from the 1980s to early 2000s.

Tsukioka Yoshitoshi (1839-1892) was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today’s Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa’s studio. Under his teacher’s guidance, he showed exquisite draftsmanship skills and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan.

This print is part of Yoshitoshi's famous series One Hundred Aspects of the Moon, which consists of one hundred prints with the moon as a unifying motif and depicts scenes from traditional Chinese and Japanese history and lore. Prints from the series were released individually or in groups every few months, with the final image completed shortly before Yoshitoshi's death. The series proved tremendously popular, with patrons lining up to purchase the new releases as soon as they became available. Today, One Hundred Aspects of the Moon remains Yoshitoshi's most well-known work.

The famous onnagata Mizuki Tatsunosuke (1673-1745) was a male kabuki actor who specialized in female roles. An edict in 1629 banned women playing parts, and eventually only males were cast in roles. The poem alludes to Tatsunosuke’s journey up the Sumida River to view the cherry blossoms at Sekiya, a village celebrated for its blossoms.

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