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A GOLD LACQUER KOGO (INCENSE BOX) AND COVER WITH INTERIOR TRAY
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述 翻译
A GOLD LACQUER KOGO (INCENSE BOX) AND COVER WITH INTERIOR TRAY

Japan, 19th century, Edo period (1615-1868)

Of lobed form akin to the Japanese quince (mokko), the box with a kabusebuta (overlapping lid) carved with shaped arches and finely decorated against a kinji ground in iro-e hiramaki-e and takamaki-e as well as kirigane and aogai inlays to depict large chrysanthemum blooms interspersed with open and closed painting albums with decorative covers depicting a variety of flowers, birds, and foliate designs. The interior with a removable tray, lacquered with a roiro ground decorated in gold and silver takamaki-e and hiramaki-e with chrysanthemum heads and tumultuous waves. The bases and interiors of nashiji with gold fundame rims.

SIZE 5.5 x 9 x 8 cm

Condition: Very good condition with minor wear mostly to edges. Light scratches, rubbing, and little flaking to the lacquer.
Provenance: From the private collection of Maybelle Dore, by repute previously in the collection of James L. Bowes, United Kingdom. James Lord Bowes (1834-1899) was a wealthy Liverpool wool broker, art collector, and patron of the arts, author and authority on Japan and its art, and benefactor. In 1888 he was appointed the first foreign-born Japanese Consul in Great Britain, a post he held until his death. In 1890, on the grounds of Streatlam Tower, his home in the Toxteth area of Liverpool, he opened the first dedicated museum of Japanese art in the western world to the public. Maybelle (Betty) Dore started collecting Japanese antiques in the postwar years, during the 1950s and 1960s, when interest in Japanese art was generally very low. For her business she ventured to Japan on her own to assemble netsuke and related works of art, including pipe cases and kogo (incense containers). Betty was also a founding member and the first Chairman of the International Netsuke Society, Northern California Chapter.

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