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SHOJI HAMADA: A POTTERY BOWL WITH ABSTRACT GLAZING
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述 翻译
SHOJI HAMADA: A POTTERY BOWL WITH ABSTRACT GLAZING

By Shoji Hamada (1894-1978)
Japan, c. 1960

Well potted with deep rounded sides supported on a short tapered foot and rising to a flared rim, covered in a rust-brown slip, the exterior covered in a lustrous russet-black glaze stopping shortly above the foot, the interior finely decorated with splashes of black and white glaze using a ladle, the unglazed foot ring revealing the grayish buff ware.

DIAMETER 23.4 cm

Condition: Excellent condition.
Provenance: The James and Marilynn Alsdorf Collection, Chicago, Illinois. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. ‘They were not strategic in their collecting,’ recalls Bridget Alsdorf, the couple’s granddaughter. ‘They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.’ As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James’s passing in 1990, Marilynn, who was known as ‘the queen of the Chicago arts community’, continued to build upon her husband’s legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006.

Shoji Hamada (1894-1978) studied ceramics at the Tokyo Institute of Technology, then known as Tokyo Industrial College, with Kawai Kanjiro under Itaya Hazan. As the sole students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai soon became friends, touring the city in search of inspiration. Anchored in the Japanese Mingei movement created under the leadership of Soetsu Yanagi between 1910 and 1920, Hamada focused on the beauty of everyday pieces by settling in the traditional pottery village of Mashiko. He used local stoneware, which he turned or molded into vessels with concave or convex, faceted or raised walls and decorated with a ladle or brush. Shoji Hamada's reputation crosses borders, notably in France and England, where he built the first multi-chambered recumbent kiln of Asian type in the West with his long-time friend Bernard Leach. But it was in his native country that he achieved the greatest recognition, being named a Living National Treasure before his death in 1978.

Auction comparison:
Compare a bottle vase with closely related decoration by the same artist, dated 1963, at Bonhams, Cornette, 16 November 2022, Paris, lot 91 (sold for EUR 9,562).

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