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AN EXCEPTIONALLY IMPORTANT ‘LANDSCAPE’ SCROLL BY ZHANG DAQIAN (1899–1983) 54 x 36.5 cm
澳大利亚 北京时间
12月01日 上午9点 开拍 /5天18小时
拍品描述 翻译
AN EXCEPTIONALLY IMPORTANT ‘LANDSCAPE' SCROLL BY ZHANG DAQIAN
(1899–1983)
ZHANG DAQIAN (CHINESE, 1899–1983), LANDSCAPE
Hanging scroll, ink and colour on paper

Inscription: "For Jing'an, as a request to create a ‘boneless' style painting in imitation of Song masters for his wife, Lady Hui'an. Younger brother Yuan (Zhang Daqian)." Seal: Daqian Duanmu Hongliang's Inscription: "Zhang Daqian Imitating Song Landscape Painting."

Note: The dedicatee, "Mr. Jing'an," refers to Luo Wenmo (1902–1951), styled Jing'an, also known as the Master of Shuangqing Studio. A native of Rongxian, Sichuan, Luo studied under Liu Haisu and was a close friend of Zhang Daqian. He held several prominent positions, including teacher at Chengdu Art School and Sichuan First Normal School, president of the Shu Art Society, executive director of the Sichuan Fine Arts Association, secretary of the Sichuan Kuomintang Party, and secretary-general of the Sichuan Provincial Senate. His untimely death in 1951, under tragic circumstances, deeply saddened Zhang, who commemorated him in verse while residing in Hong Kong.

Zhang Daqian (1899–1983), from Neijiang, Sichuan, was a legendary Chinese painter and calligrapher. Proficient in painting, calligraphy, seal carving, and poetry, Zhang's style seamlessly merged meticulous brushwork with expressive freehand techniques. He later pioneered a groundbreaking "splashed-ink and splashed-color" style, earning the Western art world's admiration as the "Oriental brush." Together with his elder brother Zhang Shanzi, he founded the influential "Dafengtang School," leaving a profound impact on Chinese painting. Following his emigration, he was widely celebrated as "A Daqian in 500 Years."

Inscription by Duanmu Hongliang (1912–1996), originally named Cao Hanwen, who later changed his name to Cao Jingping in admiration of Qu Yuan. Known by various pen names, including Quan Ye, Luo Xuan, Xin Ren, Ye Zhilin, and Cao Ping, Duanmu was a Manchu writer and scholar of Dream of the Red Chamber, originally from Changtu, Liaoning. He graduated from Nankai High School in Tianjin and attended Tsinghua University. Duanmu began writing as a student and became a prominent figure among the exiled writers of northeast China. His famous short story Melancholy of Egret Lake (1936) poignantly captures life in the occupied territories of Northeast China.

Zhang Daqian's Imitation of Song Dynasty "Boneless" Landscape Scroll in Color on Paper holds high artistic and collectible value in the Australian art market due to its rarity and early style. This work employs the "boneless" technique inspired by Song dynasty landscapes, utilizing colored washes to evoke a serene mountainous scene. Zhang's interpretation reflects his deep study of Song techniques along with his own artistic expression. The dedication refers to "Brother Jing'an," a close friend of Zhang's, Luo Wenmo (styled Jing'an), for whose wife Hui'an this piece was created. Luo, a notable figure in Sichuan's art education and cultural circles, was a prominent educator and leader in multiple art associations, adding a layer of human connection to this piece. Zhang was deeply affected by Luo's tragic passing in 1951 and commemorated him in verse while living abroad in Hong Kong.

Zhang Daqian (1899-1983), from Neijiang, Sichuan, was a legendary painter, calligrapher, and poet. His style seamlessly blended meticulous brushwork and freehand techniques, later pioneering a splashed-ink and splashed-color style that led Western art critics to call him the "Oriental brush." Together with his brother Zhang Shanzi, he established the influential "Dafengtang School," which left a lasting impact on Chinese painting. He was celebrated globally as a master of Chinese art, even earning the honorific title of "A Daqian in 500 Years."

This scroll was formerly owned by the esteemed writer Duanmu Hongliang (1912-1996), a scholar of Dream of the Red Chamber. Born Cao Hanwen, he adopted the name Cao Jingping in homage to Qu Yuan. Known for his profound reflection on life in the Northeast following the occupation, Duanmu's literary contributions include his acclaimed 1936 short story Melancholy of the Egret Lake, which sensitively portrays life under occupation. His association and inscription on this work affirm its provenance, underscoring its historical and collectible significance as a genuine Zhang Daqian masterpiece. Notably, another of Zhang's early imitation Song works, Imitation of Liu Yongnian's Wuliu Scroll, was sold in the 2024 Christie's Hong Kong Spring Auction for HKD 12.475 million, underscoring the market and academic recognition of Zhang's Song-inspired pieces.

Provenance:
Duanmu Hongliang (September 25, 1912 – October 5, 1996)
Highly important private collection, Australia
張大千 設色紙本 仿宋沒骨山水 軸

設色紙本 題識:靜庵十兄屬為其夫人慧庵女士仿宋人沒骨法,弟蝯。 鈐印:大千 端木蕻良題簽:張大千仿宋山水圖。 注:上款人「靜盦先生」為羅文謨(1902-1951),字靜盦,號雙清館主,四川榮縣人,曾師從劉海粟,與張大千有深厚交情。歷任成都美術專科學校、四川第一師範等校教師,蜀藝社社長,四川美術協會常務理事,國民黨四川省黨部書記長,四川省參議會秘書長等職。1951年,因含冤去世,張大千客居香港,聞訊後悲痛不已,作詩紀念。

張大千(1899-1983),四川內江人,傳奇國畫大師、書法家,通繪畫、書法、篆刻及詩詞,畫風集工筆與寫意於一體,並開創潑墨潑彩的新藝術風格,被西方藝壇譽為「東方之筆」。他與二哥張善子共創的「大風堂派」影響深遠,移居海外後,享有「五百年來一大千」的美譽。

題簽者端木蕻良(1912年9月25日—1996年10月5日),原名曹漢文,因仰慕屈原改名曹京平,筆名荃葉、羅旋、辛人、葉之琳、曹坪等,滿族,遼寧昌圖人,著名作家及《紅樓夢》研究者。畢業於天津南開中學,肄業於清華大學。端木自學生時代起即展露文采,是東北流亡作家群中的代表人物,其成名作《鷺湖的憂鬱》於1936年創作,真切反映了東北淪陷區人民的生活狀況。

張大千的設色紙本《仿宋沒骨山水軸》以其早期風格和珍稀性,在澳洲藝術市場上具有極高的藝術及收藏價值。此畫依宋人沒骨法,以設色表現山水意境,筆墨間流露出張大千對宋人技法的深入研習與個人詮釋。題識中提及的「靜庵十兄」即羅文謨(字靜盦),為張大千的摯友,這幅作品正是為其夫人慧庵女士所作。羅文謨曾任四川多所藝術教育機構的教職,並在社會文化活動中具有顯著影響。其與張大千的深厚交情,也為此作品增添了人文意涵。
此外,該畫作曾為著名作家端木蕻良的舊藏。端木不僅是一位東北流亡作家,亦是《紅樓夢》研究的學者,筆名眾多,以其對家鄉現狀的深刻書寫聞名。端木的題簽與收藏來源更彰顯出此作品的歷史意涵與收藏脈絡,使之成為無可爭議的張大千真跡。2024年佳士得香港春拍中,張大千另一件仿宋之作《仿宋人劉永年烏騮圖》以1247.5萬港元成交,進一步證明其仿宋作品的高度市場認可和學術價值。

源流:
端木蕻良(1912年9月25日—1996年10月5日)
極其重要私人收藏,澳大利亞

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