戰國晚期 趙國 公元前四至三世紀 青銅鈹 刻文:四年,相邦建信君,邦右庫倝(韓)叚,工帀(師)吳瘠,冶息執齋(劑) 10 ? in. (26.8 cm.) long, cloth box戰國晚期 趙國 公元前四至三世紀 青銅鈹 刻文:四年,相邦建信君,邦右庫倝(韓)叚,工帀(師)吳瘠,冶息執齋(劑) 10 ? in. (26.8 cm.) long, cloth box
Ralph C. Marcove (1929-2001) 醫生珍藏,紐約,於1999年前入藏
Ralph C. Marcove醫生珍藏,紐約
拍品專文
This bronze blade with six faceted sides is known in Chinese as a pi. This type of blade would have been attached to a long wooden shaft measuring approximately three meters to form a weapon similar to a mao (spear). The pi originated during the Shang dynasty and became increasingly popular during the Warring States period. Blades bearing dedicated inscriptions, such as the present example, signify the high quality of craftsmanship and were typically commissioned for nobles or court officials of the highest rank.The detailed inscription carved on this blade highlights its importance, indicating not only the roles of officials involved in its production but also the high status of its intended owner. The inscription may be translated as: “In the fourth year, Prime Minister Jian Xinjun [supervised], Han Jia of the State Right Treasury [oversaw], Bladesmith Wu Ji forged [the piece].” The inscription identifies Jian Xinjun as the supervising official. According to Zhan Guo Ce (Strategies of the Warring States), a historical and political text compiled by the Western Han-dynasty historian Liu Xiang, Jian Xinjun served as the Xiang Bang (prime minister) of the Zhao Kingdom from the first to the eighth year of King Daoxiang’s reign, 244-236 BC. As a trusted member of the Zhao royal family and a high-ranking official, Jian Xinjun played a significant role in diplomatic and political decisions during a turbulent period when the Zhao faced threats from the powerful Qin state. He was praised for his negotiation skills with other states as part of efforts to maintain Zhao’s sovereignty. However, despite these efforts, Zhao’s weakening military strength and diplomatic failures ultimately contributed to its downfall during Qin’s campaigns to unify China.The present pi serves as an important primary document for understanding the history of the Zhao Kingdom. It sheds light on how weapons functioned not only as tools of war but also as symbols of social status. The superb craftsmanship and inscription underscore its significance as a ceremonial or status-bearing weapon. A pi bearing a nearly identical inscription was formerly in the collection of the renowned archaic bronze scholar and collector Chen Mengjia. This example is currently in the Institute of Archaeology, Chinese Academy of Social Sciences, and documented by Wu Zhenfeng in Shangzhou qingtongqi mingwen ji tuxiang jicheng (A Collection of Inscriptions and Images of Shang and Zhou Archaic Bronzes), Shanghai, 2012, vol. 33, p. 409, no. 18031.
CONDITIONS OF SALE These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. As well as these Conditions of Sale, lots in which we offer Non-Fungible Tokens are governed by the Additional Conditions of Sale – Non-Fungible Tokens, which are available in Appendix A herein. For the sale of Non-Fungible Tokens, to the extent there is a conflict between the “New York Conditions of Sale Buying at Christie's” and “Additional Conditions of Sale – Non-Fungible Tokens”, the latter controls. Unless we own a lot in whole or in part (Δ symbol), Christie’s acts as agent for the seller. A • BEFORE THE SALE 1 • DESCRIPTION OF LOTS (a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed “Important Notices and Explanation of Cataloguing Practice” which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called “Symbols Used in this Catalogue”. (b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions, or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only. 2 • OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a lo