北宋 十一世紀 龍泉窯青釉五管蓋罐 12 11?16 in. (32.2 cm.) high北宋 十一世紀 龍泉窯青釉五管蓋罐 12 11?16 in. (32.2 cm.) high
卡爾·坎普 (1884-1967) 博士珍藏Masterpieces of Chinese Precious Metalwork, Early Gold and Silver; Early Chinese White, Green and Black Wares;倫敦蘇富比,2008年3月14日,拍品編號248
俞博, 《Chinese Ceramics in the Carl Kempe Collection》,斯德哥摩爾,1964年,斯德哥爾摩,1964年,圖版編號27《東洋陶磁大觀》,第八冊,東京,1982年,圖版編號86《Chinese Ceramic Treasures,A Selection from Ulricehamn East Asian Museum,including the Carl Kempe Collection》,烏爾裏瑟港藝術博物館,烏爾裏瑟港,2002年,圖版編號250《懷古堂》,紐約,2011年春季刊,頁38,編號7
CONDITIONS OF SALE These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. As well as these Conditions of Sale, lots in which we offer Non-Fungible Tokens are governed by the Additional Conditions of Sale – Non-Fungible Tokens, which are available in Appendix A herein. For the sale of Non-Fungible Tokens, to the extent there is a conflict between the “New York Conditions of Sale Buying at Christie's” and “Additional Conditions of Sale – Non-Fungible Tokens”, the latter controls. Unless we own a lot in whole or in part (Δ symbol), Christie’s acts as agent for the seller. A • BEFORE THE SALE 1 • DESCRIPTION OF LOTS (a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed “Important Notices and Explanation of Cataloguing Practice” which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called “Symbols Used in this Catalogue”. (b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions, or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only. 2 • OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a lo