元 十三/十四世紀 黑漆螺鈿梅紋長方盤 12 7?8 in. (32.6 cm.) long, silk pouch, Japanese double wood box元 十三/十四世紀 黑漆螺鈿梅紋長方盤 12 7?8 in. (32.6 cm.) long, silk pouch, Japanese double wood box
Jean-Pierre Dubosc (1904-1988) 珍藏， 鐮倉及巴黎埃斯卡納齊，倫敦， 1992年藍理捷，紐約，編號1710
埃斯卡納齊，《Chinese Lacquer from the Jean-Pierre Dubosc Collection and Others》， 倫敦， 1992年，頁42-43，編號12M. Kopplin，漆器博物館，《Katalog Ostasiatische Lackkunst: Ausgew?hlte Arbeiten》 (東亞漆器藝術圖錄：館藏精選)， 明斯特，1993年， 頁63，圖版26
倫敦，埃斯卡納齊，「 Chinese Lacquer from the Jean-Pierre Dubosc Collection and Others」，1992年12月8-22日
藍理捷，紐約
拍品專文
The theme of flowering plum blossoms was a popular motif in the Song and Yuan dynasties and can be found in lacquer and other media. A mother-of-pearl-inlaid black lacquer dish of octagonal form decorated with blossoming plum branches in a similar style, now in The Metropolitan Museum of Art, is illustrated by J. Watt and B. Ford in East Asian Lacquer, The Florence and Herbert Irving Collection, New York, 1991, pp. 126-128, no. 55. See, also, a Song-Yuan dynasty black lacquer table screen similarly decorated with mother-of-pearl-inlaid blossoming plum branches, in the Asian Art Museum of San Francisco, illustrated in Hai-Wai Yi-Chen (Chinese Art in Overseas Collections: Lacquer Ware), Taipei, 1987, p. 51, no. 49.The lyrical depiction of prunus blossoms beneath a crescent moon is also found on contemporary ceramics, such as the Baishe teabowl in this catalogue, lot 77, and a Longquan celadon carved conical bowl, Southern Song-Yuan dynasty, sold at Christie's New York, 22 March 2007, lot 277.
CONDITIONS OF SALE These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. As well as these Conditions of Sale, lots in which we offer Non-Fungible Tokens are governed by the Additional Conditions of Sale – Non-Fungible Tokens, which are available in Appendix A herein. For the sale of Non-Fungible Tokens, to the extent there is a conflict between the “New York Conditions of Sale Buying at Christie's” and “Additional Conditions of Sale – Non-Fungible Tokens”, the latter controls. Unless we own a lot in whole or in part (Δ symbol), Christie’s acts as agent for the seller. A • BEFORE THE SALE 1 • DESCRIPTION OF LOTS (a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed “Important Notices and Explanation of Cataloguing Practice” which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called “Symbols Used in this Catalogue”. (b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions, or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only. 2 • OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a lo
