| 中文版 English

具体要求

其它要求

-
关闭
A RARE FLAMBE-GLAZED VASE, MEIPING, QIANLONG MARK AND PERIOD
奥地利
04月10日 下午5点 开拍
拍品描述 翻译
China, 1735-1796. Finely potted with elegantly curved sides rising to a broad rounded shoulder, surmounted by a gently waisted neck with a lipped rim. The exterior covered with a finely crackled and vibrant purplish-red glaze with lavender streaks thinning to mushroom around the mouth, the base covered in a mottled mushroom-brown wash. The recessed base incised with a six-character seal mark da Qing Qianlong nianzhi and of the period.Provenance: From an important private collection in Montreal, Quebec, Canada. An in situ image shows several Imperial pieces from this collection.Condition: Superb condition with minor wear and manufacturing irregularities including a small smoothened area to the edge of the foot, the glaze with intentional crackling, minor pitting, and few burst bubbles. Weight: 2,449 g Dimensions: Height 29.8 cmThe elegant form of this vase, with its gently swelling shoulders and tapering body, provides a perfect canvas for showcasing the striking hues of the streaky flambe glaze. Jun wares of the Song dynasty were held in high regard by countless generations, including at the Manchu court of the Qing dynasty. The Yongzheng and Qianlong Emperor were particularly attracted by this glaze and commissioned the then Superintendent of the Imperial kilns in Jingdezhen, Tang Ying (1682-1756) to create copies. The technical ingenuity and high level of experimentation of the potters working at the imperial kilns in Jingdezhen is evident in the successful revival of Song glazes. Tang Ying is known to have gone to considerable lengths to emulate this glaze, even sending his secretary, Wu Yaopu and selected craftsmen to Junzhou in 1729, in order to work with local potters and obtain the recipe for reproducing Jun wares. The official list from 1735 on the Taocheng jishi bei ji (Commemorative stele on ceramic production), inscribed by Tang Ying, records no less than nine varieties of Jun glazes, of which five were based on Song originals that had been sent from the palace in Beijing to the Imperial kilns in Jingdezhen. The stunning glazes that were created at Jingdezhen in imitation of Jun wares were considered by contemporaries even more attractive than the original. Lan Pu in his Jingdezhen tao lu (Account of ceramics in Jingdezhen), published in 1815, exclaims: ''the glaze is multi-coloured and has 'hare's fur' markings. The best is red like cosmetic rouge, then comes blue-green like spring onions or kingfisher feathers and purple like ink black… Jun ware red pieces that the ancients made were composed of rough, coarse-grained clay tinged with yellow, and though the glaze colour is lively they are not fine pieces. Today, Jingdezhen selects clean, fine, white clay to mould the body, and then applies red glaze. In this way the red colour has a much richer appearance'' (Rose Kerr, ''Jun Wares and their Qing Dynasty Imitation at Jingdezhen'', The Porcelains of Jingdezhen. Colloquies on Art & Archaeology in Asia No. 16, London, 1992, p. 155).Lan Pu notes the great difference in appearance between Song dynasty Jun glaze and its Qing copy, and in fact the two diverge in their composition. While the opalescent glaze of Song Jun wares was achieved by a chemical reaction that happened in the kiln during firing, the vibrant and thick flambe glazes of the Qing dynasty were created by the application of three differently coloured glazes. Furthermore, the use of a fine porcelain body enhanced the luminosity of the glaze.Literature comparison:Compare a closely related flambe-glazed meiping, 36.4 cm high, dated to the Qianlong period, in the National Palace Museum, Taipei, object number 中瓷004459N000000000.Auction result comparison: Type: Closely relatedAuction: Sotheby's Hong Kong, 3 April 2019, lot 3653Price: HKD 4,735,000 or approx. EUR 637,000 converted and adjusted for inflation at the time of writing: An exceptional flambe-glazed vase, Meiping incised seal mark and period of QianlongExpert remark: Compare the closely related form and similar glaze. Note the larger size (34.9 cm). Auction result comparison: Type: Closely relatedAuction: Christie's New York, 19 March 2013, lot 206Price: USD 137,000 or approx. EUR 179,000 converted and adjusted for inflation at the time of writing: A rare flambe-glazed vase (meiping), Qianlong seal mark and periodExpert remark: Compare the closely related form and glaze.Auction result comparison: Type: Closely relatedAuction: Sotheby's Hong Kong, 8 April 2011, lot 3023Price: HKD 475,000 or approx. EUR 83,500 converted and adjusted for inflation at the time of writing: A flambe-glazed Meiping Vase, Qing dynasty, 18th centuryExpert remark: Compare the closely related form and glaze.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

价格信息

拍品估价:15,000 - 30,000 欧元 起拍价格:15,000 欧元  买家佣金: 35.00%

拍卖公司

Galerie Zacke
地址: Sterngasse 13, 1010 Vienna, Austria
电话: 0043-1-5320452
邮编: 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士