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A SANDSTONE ANTEFIX OF AN ADORING APSARA, CHAM PERIOD, 8TH-10TH CENTURY
奥地利
04月11日 下午5点 开拍
拍品描述 翻译
A SANDSTONE ANTEFIX OF AN ADORING APSARA, CHAM PERIOD, 8TH-10TH CENTURYCentral Vietnam, ancient kingdoms of Cham. Finely carved, the deity with hands in anjali mudra, clasped together at the chest in adoration. The serene face with downcast eyes, broad nose, and full lips forming a calm smile, flanked by elongated earlobes, backed by a mandorla with radiating leaves, scrolling vines, and stylized flames.Provenance: Collection of Hugo Spriet, Dworp, Belgium, by his own account acquired in Vietnam in the year 1981.Condition: Very good condition, commensurate with age. Obvious losses, encrustations, and scattered nicks and scratches. Extensive wear and signs of weathering and erosion. Weight: 9.2 kg (incl. stand)Dimensions: Height 31.5 cm (excl. stand), 44 cm (incl. stand)With an associated stand. (2)Sandstone architectural elements of this type are a regular feature of Hindu temples constructed by the Cham kingdoms of central and southern Vietnam. The temples are typically single-cell sanctuaries with a tapering tower above. They are built of fired brick with sandstone doorjambs, tympanums, and in a characteristically Cham innovation, antefixes such as this one projecting from the tower.Cham art is an absolute pillar of Vietnamese culture. In its glorious days, the ensemble of Champa territories used to run from the North of Quang Binh all the way to the edge of the Saigon region, showcasing the most outstanding sculptures and architectural jewels. Rediscovered by French scholars, what was once a great civilization managed to survive centuries of vicissitudes, abandonment, and wars. In its origin, Cham art demonstrates how an Austronesian population, probably from Borneo in the 4th century, chose to adopt and integrate Indian ideology deeply into its local customs, successfully creating a whole statuary art, as imposing as its competitor from Khmer. The height of Cham civilization occurred during the 7th to 10th centuries, when the seafaring Cham controlled the silk and spice trade in the South China Sea between China, India, the Indonesian archipelago and the Abbasid empire. However, this period was also marked by several raids by Javanese kingdoms, near-continuous warfare with the Dai Viet to the north as well as a fierce and often bellicose rivalry with their western neighbors, the Khmer of Angkor. Much like the Khmer had to abandon Angkor after a Thai invasion in 1431, the Cham gradually lost their northern territories to the Dai Viet between the 10th and 15th centuries, beginning with the sack and eventual abandonment of Indrapura and culminating in the destruction of the Cham capital Vijaya in 1471, after which only the southern principality of Panduranga remained.Auction result comparison:Type: RelatedAuction: Sotheby's New York, 19 March 2008, lot 245Price: USD 121,000 or approx. EUR 163,000 converted and adjusted for inflation at the time of writing: Adoring Apsaras sandstone Vietnam, Cham period, Tra Kieu styleExpert remark: Compare the closely related subject and material, as well as the related modeling and manner of carving. Note the size (61 cm).

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