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YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958)
英国
05月14日 下午5点 开拍
拍品描述 翻译
YANG DIN 楊登雄 (YANG DENGXIONG, B. 1958) Trio sous la Tonnelle 1993 Oil on canvas Signed and dated 130cm x 196cm 楊登雄 架下三友 1993年作 壓克力畫布 款式:Yang Din 於畫布右下 - PROVENANCE: Fine Arts, Mandarin Oriental Hotel, Hong Kong; English Private Collection, London - NOTE: Please note a similar work in theme sold at Christie's, Hong Kong, 27 May 2007, lot 493. Yang Din, born in 1958 in China, is an acclaimed contemporary artist known for his distinctive approach to abstract painting and his exploration of cultural identity within the context of global contemporary art. With a career spanning several decades, Yang has become one of the leading figures in the evolution of modern Chinese art, blending traditional Chinese aesthetics with contemporary, experimental practices. Yang Din began his artistic journey in the late 1970s, a time of intense cultural transformation in China following the end of the Cultural Revolution. He studied at the Tianjin Academy of Fine Arts and later moved to Beijing, where he became actively involved in the art scene during the 1980s, a period marked by the rise of avant-garde movements in China. Yang’s early work was influenced by both the classical Chinese ink painting tradition and Western modernist abstraction, leading him to create a unique fusion of these two worlds. In the early 1990s, Yang Din began to experiment with new mediums and conceptual approaches to art, shifting from traditional techniques to more contemporary methods, such as the use of industrial materials and non-traditional media. His work often deals with themes of memory, time, and the relationship between individual and collective identity, engaging deeply with questions of cultural heritage, social change, and personal transformation. Yang’s paintings are characterized by their dynamic interplay of texture, color, and form. His style is often described as abstract expressionist, with thick, gestural brushstrokes that suggest movement and energy. Yet, his work also maintains a subtle, almost meditative quality, inviting viewers to engage with the layered histories and narratives embedded within each piece. Over time, his paintings have evolved from more spontaneous, expressive brushwork to intricate compositions that explore the tension between chaos and order, the organic and the constructed. A pivotal moment in Yang Din’s career came in the late 1990s when he began to explore the concept of "cultural memory" in his work. Drawing inspiration from his own experiences growing up during the period of China’s economic and social transformation, Yang created a series of works that reflected the shifting dynamics of modern Chinese society. In these pieces, he combined traditional Chinese motifs—such as calligraphy, landscape imagery, and symbols of ancient philosophy—with contemporary abstraction. This blending of the old and new became a signature aspect of his practice. Yang Din’s engagement with both Western and Eastern cultural traditions has made his work resonate on a global scale. He is particularly known for his ability to juxtapose the personal with the universal, often drawing upon themes of displacement and migration. Through his work, he navigates the complexities of belonging, identity, and transformation in a rapidly changing world. In addition to his painting practice, Yang has also worked in installation and sculpture, continuing his exploration of materiality and space. His installations often incorporate elements of Chinese architecture, traditional crafts, and everyday objects, recontextualizing these familiar forms to challenge the viewer’s perceptions of culture, history, and memory. Yang Din’s work has been exhibited in prestigious galleries and museums around the world. His solo exhibitions include Fragments of Memory (2022) at the Long Museum in Shanghai; Reconstructing the Past (2019) at the Museum of Contemporary Art in Beijing; and Thresholds of Time (2015) at the National Art Museum of China. His group exhibitions include Art of China: Reinterpretation (2021) at the Guggenheim Museum in New York, Contemporary Voices: Chinese Artists of the 21st Century (2019) at the Tate Modern in London, and The New Silk Road (2018) at the Venice Biennale. Yang Din's works are included in numerous international collections, such as those of the Guggenheim Museum, the National Art Museum of China, and the Saatchi Gallery in London, as well as in private collections across Asia, Europe, and the United States. His contributions to contemporary art have been widely recognized, and he remains a significant figure in the discourse surrounding Chinese modernism and abstraction. In his ongoing practice, Yang Din continues to explore the intersections between personal experience and universal themes, offering a complex, layered vision of contemporary life and its relationship to historical and cultural forces. His works invite audiences to engage with the passage of time, the weight of history, and the tensions that shape the world today.

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