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A RARE RUSSET JADE BI 红沁大玉璧 China, Neolithic period, Liangzhu culture (3300–2300 BC) D.11.3cm Provenance: A private collection from Hong Kong, acquired in the 1990s 香港藏家旧藏,购于1990年代 Note Jade discs of this type
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06月25日 晚上6点 开拍
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A RARE RUSSET JADE BI 新石器时期 良渚文化 红沁大玉璧 China, Neolithic period, Liangzhu culture (3300–2300 BC) D.11.3cm Provenance: A private collection from Hong Kong, acquired in the 1990s 香港藏家旧藏,购于1990年代 Note Jade discs of this type rank among the earliest surviving non-ceramic artifacts in Chinese history and stand as remarkable achievements of Neolithic craftsmanship. Carved from nephrite—a stone so tough it cannot be cut but must be slowly ground into shape using abrasives—the production of such objects required immense skill, especially in a time when only stone tools were available. The refined execution seen in this example is a testament to the sophistication of early jade-working techniques. The original function of bi discs has long been a subject of scholarly debate. Traditionally, they have been interpreted as cosmological symbols representing heaven, employed in ancient ritual contexts. This view is partly informed by references in the Zhou li (Rites of Zhou), a Warring States–period text that describes the ceremonial use of jade in royal burials. However, more recent archaeological discoveries at Neolithic burial sites have provided new insight, revealing that bi discs were often placed in prominent positions within tombs, suggesting they held significant ritual or symbolic meaning. While bi discs have been unearthed at various Neolithic cultural sites, they are most notably associated with the Liangzhu culture, which flourished in southeastern China during the 3rd millennium BCE. Liangzhu jade artifacts are distinguished by their precision, complexity, and the central role they played in elite burial practices, underscoring the ritual importance of jade in early Chinese society.

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