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A RARE LONGQUAN CELADON MALLET-SHAPED VASE 南宋风格 龙泉青釉纸槌瓶 China, Southern Song period style
爱尔兰
06月25日 晚上6点 开拍
拍品描述 翻译

Description

A RARE LONGQUAN CELADON MALLET-SHAPED VASE 南宋 龙泉青釉纸槌瓶 China, Southern Song period. of mallet-shaped form, gently tapering from the canted shoulder to the foot, the neck rising to a broad, flared rim, celadon glazed, with a Japanese wooden box, H.17.1cm Provenance: from the collection of Japanese collector Terasaki Masaaki (accompanied by the original envelope and invoice, dated September 2nd, 1935). 出处:日本藏家寺崎雅章旧藏(有1935年9月2日老信封和发票) Longquan Celadon Glaze and the Origins of the 纸槌瓶 (Mallet-Shaped Vase) Longquan celadon, perfected during the Southern Song dynasty, is celebrated for its thick, translucent glaze that captures a soft, bluish-green tone reminiscent of polished jade. Achieving this ideal glaze required careful mastery of raw materials, glaze formulation, application, and a reducing kiln atmosphere. Successful pieces, became rare masterpieces prized for both their visual appeal and tactile quality. In Japan, these celadons became known as kinuta seiji (砧青磁), a term that reflects not only the prized bluish-green glaze but also the association with the mallet-shaped (kinuta) form. The 纸槌瓶 is believed to have first appeared in Ming dynasty records. The term likely derives from the vase’s resemblance to the mallets used in papermaking to beat pulp. This papermaking technique may have evolved from 漂絮, the preparation of silk floss using a 砧杵 (pounding tool). Although the tools share certain similarities in form, the exact design of Song dynasty papermaking mallets is unknown, and it remains uncertain whether the term 纸槌瓶 was used at that time or fully understood by later Ming scholars. Considering that 椎 and 槌 are variant characters, some scholars suggest that the burnishing tool gifted by Lin Bu during the Northern Song may have been a wooden 槐木纸槌, similar in form to the 纸槌瓶. The mallet-shaped form likely drew inspiration from Islamic glass vessels introduced to China during the Tang and early Song periods. Among Longquan celadons, most mallet-shaped vases featured decorative handles shaped like phoenixes or dragon-fish. However, the rarest and most esteemed examples, such as the present piece, were crafted without handles, allowing the glaze to take center stage. Introduced into Japan during the Southern Song and Yuan periods, such vases were revered by tea masters and collectors, embodying the aesthetic ideals of refinement, subtlety, and the harmonious blending of form and glaze.

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拍品估价:15,000 - 20,000 欧元 起拍价格:10,000 欧元  买家佣金: 33.00% + VAT

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