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SHIBATA ZESHIN: A SUPERB URUSHI-E (LACQUER) FAN PAINTING DEPICTING ANTS AND A BEAN POD
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12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
SHIBATA ZESHIN: A SUPERB URUSHI-E (LACQUER) FAN PAINTING DEPICTING ANTS AND A BEAN PODBy Shibata Zeshin (1807-1891), signed Zeshin with seal NankenJapan, late 19th century, Meiji period (1868-1912)In the shape of a fan, finely decorated in brown urushi-e lacquer on gofun-treated paper, superbly depicting a bean pod curling from the right edge toward the center, with a single ant crawling upon it and four more following in line below it. Signed to the lower right ZESHIN with seal REISAI.SIZE 37 x 16 cm (excl. frame), 55.7 x 35.2 cm (incl. frame)Provenance: Kunstzaal van Lier, Amsterdam, The Netherlands. With an old collection label 'Kunstzaal v. Lier No. 86' to the back and inscribed on the back '53/2', 2394', and 'Zeshin'. Condition: Very good condition with minor wear. Two small tears to the upper right corner, creasing and folds limited to the edges and corners. Part of an old blue label to the back. Presenting very well.Set within an old frame behind a passe-partout.Shibata Zeshin (1807-1891) was a Japanese painter, lacquer artist, and printmaker of the late Edo period to early Meiji era. Nominated as one of the first Teishitsu Gigeiin (Imperial Court Artist) in Meiji 23 (1890), Shibata Zeshin excelled in several art forms, including painting, lacquer-making, print design, and calligraphy. He had an outstanding studio with talented students specializing in lacquer, paintings and prints. He has been called 'Japan's greatest lacquerer.' His work, unlike the oils being used by so many of his contemporaries, never needed re-touching and never faded. He was a master of emulating oil or ink painting with lacquer and combined groundbreaking techniques with traditional subjects. His studio was situated on the bank of a river, providing him with ample opportunity to observe nature, and the creatures that inhabited the natural world. Like many painters of the 19th century, he was eclectic in his sources and would have been exposed to traditional styles. However, Zeshin's skill level was such that he could fluidly mix techniques, ideas, and stylistic options, thus painting part of a composition in one manner and including elements of another to add variety and dynamics unheard of at the time.Museum comparison:Compare a closely related lacquer painting depicting the same subject, by Shibata Zeshin, signed Zeshin with seal Zeshin, in the British Museum, registration no. 1928,0720,0.36.Auction comparison:Compare two related urushi-e (lacquer) fan paintings, by Shibata Zeshin, size 15.5 x 49 cm, at Bonhams, Fine Japanese Art, 10 November 2011, London, lot 255 (sold for GBP 11,250 or approx. EUR 22,500 converted and adjusted for inflation at the time of writing).

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