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A FINE KANBUN-STYLE TWO-PANEL BYOBU (FOLDING SCREEN) DEPICTING MUSICIANS AND BIJIN
奥地利
12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
A FINE KANBUN-STYLE TWO-PANEL BYOBU (FOLDING SCREEN) DEPICTING MUSICIANS AND BIJINJapan, 18th century, Edo period (1615-1868)Ink, watercolors, gouache, gold paint, and gold foil on paper. Mounted on two lacquered wood panels. Finely painted to depict a group of elegantly attired beauties, standing gracefully and accompanied by female musicians, one of whom is seated on a folding stool, each rendered in the manner associated with ukiyo-e paintings of the Kanbun era (1661-1673).SIZE 158.5 x 188 cmProvenance: With Adalbert Offermann Hans-Martin Schmitz: Alte Kunst aus China und Japan, Wuppertal, Germany. A private collection in South Germany, acquired from the above in 1975. A copy of an invoice from Adalbert Offermann Hans-Martin Schmitz: Alte Kunst aus China und Japan, Wuppertal, dated 2 November 1975, confirming the dating, and stating a purchase price for the present lot of DEM 8,500 or approx. EUR 14,000 (converted and adjusted for inflation at the time of writing), accompanies the lot. Adalbert Offermann, together with Hans-Martin Schmitz, founded the art gallery Alte Kunst aus Japan und China in 1964. In their youth, the partners shared a profound passion for East Asian art, which evolved into their profession and established them among the foremost dealers of non-European art in Germany. Initially specializing in Asian arms, the gallery later expanded its focus to encompass a wider range of Chinese and Japanese decorative arts, concentrating on netsuke, inro, woodblock prints, and paintings.Condition: Very good condition with wear. Some soiling, minor stains, and scattered tears with associated repairs. Typical flaking and losses to pigment with touchups. The back with traces of wear and use.During the 18th-19th centuries, Japanese artists often created byobu screens that consciously echoed earlier models from the Momoyama and early Edo periods. This tradition of copying was not mere replication but an act of homage, preservation, and reinterpretation. Painters adapted celebrated themes - landscapes, seasonal flowers, and courtly scenes - updating stylistic details to suit contemporary taste while maintaining continuity with the classical canon. Such works reveal both the enduring prestige of canonical prototypes and the role of replication as a form of transmission, ensuring that revered visual traditions remained visible within changing cultural contexts.The present work, executed in the Kanbun bijin-ga style, must be seen in this context. Kanbun painting itself was a highly codified style that subsequent generations deliberately emulated, precisely because of its prestige as one of the earliest phases of ukiyo-e painting. Thus, the present screen is both a celebration and a conscious copy of the Kanbun manner, part of the broader cultural practice of safeguarding and transmitting revered visual traditions within the shifting fashions of the Edo period.Auction comparison:Compare a related two-panel byobu depicting Kanbun beauties, dated to the 19th century, size 117 x 150 cm, at Bonhams, Property from the Estate of Liza Hyde, 19 March 2009, New York, lot 190 (sold for USD 7,930 or approx. EUR 10,500 converted and adjusted for inflation at the time of writing).

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拍品估价:2,400 - 5,000 欧元 起拍价格:2,400 欧元  买家佣金: 30.00%

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