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TOSA MITSUYOSHI: A TOSA SCHOOL PAIR OF SIX-PANEL BYOBU (FOLDING SCREEN) DEPICTING CRANES AND TURTLES
奥地利
12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
TOSA MITSUYOSHI: A TOSA SCHOOL PAIR OF SIX-PANEL BYOBU (FOLDING SCREEN) DEPICTING CRANES AND TURTLESBy Tosa Mitsuyoshi (1700–1772), signed and sealed by the artistJapan, c. 1737, Edo period (1615-1868)Ink, watercolors, gouache, and gold paint on silk. Mounted on silk brocade on roiro lacquered wood panels with gilt-metal fittings. Finely painted to depict cranes wading, flying, and gathering beside a leaning plum tree (ume) in full bloom, evoking a scene of festive harmony. The companion screen depicts turtles at play along a tranquil riverside bordered by pine and bamboo - the classic “Three Friends of Winter” (saikan sanyu), symbolizing steadfastness amid adversity.Inscriptions: Each screen signed Edokoro azukari, Tosa, Shogoi no ge, Mitsuyoshi 画所預土佐 正五位下光芳 [Head of the Court Painting Bureau (e-dokoro azukari), the Tosa School, Junior Fifth Rank, Mitsuyoshi] with seal Mitsuyoshi no in 光芳之印 [The seal of Mitsuyoshi].SIZE 169 x 370 cm (each)Condition: Good condition with wear. Some soiling, few stains, and flaking and rubbing to pigment. some losses with associated repairs and touchups. The back with signs of wear and use and reinforcements. Tears and losses to the joints with associated repairs.Tosa Mitsuyoshi (1700–1772), also read Mitsufusa, was a distinguished painter of the Tosa school during the mid-Edo period. The son of Tosa Mitsusuke (or Mitsutaka), he demonstrated remarkable artistic promise from an early age. Following the deaths of his father and grandfather Tosa Mitsunari in 1710, Mitsuyoshi was appointed Head of the Court Painting Bureau (e-dokoro azukari) at only eleven years old. In 1738, he produced the ceremonial daijo-e byobu for Emperor Sakuramachi, continuing the imperial Yamato-e tradition. His Buddhist name was Jokaku.This rare and finely executed pair of six-panel folding screens by Tosa Mitsuyoshi presents the auspicious pairing of cranes (tsuru) and turtles (kame), painted against a shimmering ground of gold leaf on silk with delicate cloud motifs in low relief. In Japanese tradition, the crane and turtle together symbolize longevity, wisdom, and good fortune - the crane said to live a thousand years, the turtle ten thousand. Together, they form a powerful emblem of steadfastness and blessings, often seen in art and celebratory contexts such as weddings.The 'Three Friends of Winter' motif is frequently used across all mediums in Chinese art. Comprised of pine, bamboo and prunus, this motif is emblematic of the Confucian virtues of fortitude and resilience. As the pine and bamboo are evergreen plants and the prunus a plant that has lived for a long time, the three together are also an auspicious symbol of longevity.

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