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HAYASHI KIHYOE: A SUPERB PAIR OF SOSUKE STYLE CLOISONNÉ ENAMEL VASES WITH MOUNT FUJI AND PINE
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12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
HAYASHI KIHYOE: A SUPERB PAIR OF SOSUKE STYLE CLOISONNé ENAMEL VASES WITH MOUNT FUJI AND PINE TREEBy Hayashi Kihyoe (1848–1931), sealed KiJapan, early 20th century, Meiji period (1868-1912) to Taisho period (1912-1926)Each of baluster form, mounted with gilt rims, supported on a slightly splayed foot and rising to rounded shoulders with a short neck and a flared mouth. The body finely decorated with musen (wireless) enamels, one depicting a lush pine tree, the other with a view of the snow-capped Mount Fuji emerging through the mist, set against a pale-blue ground. Marked to the base KI within the typical heart-shaped reserve.HEIGHT 15.6 cm (each)WEIGHT 330.3 g and 334 g (each)Provenance: Sotheby's, Japanese Works of Art from Private Collections, 28 September 2023, London, lot 130. From the Alan Bostock collection of Japanese metalwork and cloisonné, assembled over the last 40 years.Condition: Excellent condition with only minor wear and manufacturing irregularities.Hayashi Kihyoe (1848–1931) was among the leading makers employed by the Ando Company, renowned for its cloisonné enamels. Although the Hayashi family name seldom appears on these works, pieces by Kihyoe were exhibited at prominent international and domestic expositions, including the Chicago Exposition (1893), the Fourth Domestic Exposition (1895), the Aichi Prefecture Exposition (1899), the Paris Exposition (1900), the Fifth Domestic Industrial Exposition (1903), the St. Louis Exposition (1904), and the Anglo-Japanese Exposition (1910).After Sosuke's death in 1910, the Ando workshop in Nagoya adopted and popularized the musen technique, producing refined works in the “Sosuke style” for both domestic and international markets. Alongside Namikawa Yasuyuki, Sosuke and Ando Jubei are regarded as the three masters whose innovations defined the golden age of Japanese cloisonné.Musen, literally 'wireless', was a notable technique introduced into Japanese cloisonné art in the final decades of the nineteenth century, representing one of the most refined innovations of the period. In the conventional process, fine metal wires are affixed to a base to delineate the contours of a design, and vitreous enamel is then applied within the resulting cells. In the wireless method, however, the wires are carefully removed just before firing. During the sintering of the enamel, this procedure produces soft tonal gradations and blurred transitions, enabling effects comparable to painting in enamel. The musen technique garnered significant acclaim at the major international exhibitions of the late nineteenth century, a period in which Japan, following the Meiji Restoration, was actively engaging with the West.

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