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AJIKI HIRO: A BASARA (FLAMBOYANT ELEGANCE) CHAWAN
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12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
AJIKI HIRO: A BASARA (FLAMBOYANT ELEGANCE) CHAWANBy Ajiki Hiro (b. 1948), sealed to the tomobakoJapan, c. 2004, Heisei period (1989-2019)Skillfully modeled, the oval body supported on a short foot and rising to a broad mouth, boldly painted with a checkered pattern inside and out in overlapping gold and red tones over a lustrous glaze of varying shades of brown.With the original wood tomobako (storage box), inscribed Enyu, Basara, Wan [Salt glaze, entitled Basara (Flamboyant Elegance), a tea bowl] with kakihan monogram, and sealed HIRO Toin.DIAMETER 13.1 cmProvenance: Bonhams, 20th century Japanese Ceramics, 8 November 2005, London, lot 76 (sold for GBP 1,320 or approx. EUR 3,000 converted and adjusted for inflation at the time of writing). A private collection, acquired from the above.Condition: Excellent condition.Ajiki Hiro, born in 1948 in Hirata, Shimane Prefecture, is a ceramic artist celebrated for his mastery of pottery and his sustained engagement with the Japanese tea ceremony. In the early 1970s, he traveled extensively, visiting over thirty countries, an experience that informed his aesthetic vision. For decades, he has devoted himself to the refinement of the tea bowl (chawan), producing works distinguished by their spontaneity and subtlety, occasionally embellished with gold and silver. His ceramics have been exhibited internationally, including the United States, Mexico, Germany, and India, and are regularly presented at the Dento Kogei Ten (Traditional Japanese Craft Art Exhibition) in Japan. In 1987, he received the Grand Prize at the Modern Tea Forms Exhibition at the Tanabe Museum of Art.Basara is a term derived from the Sanskrit term 'vajra' (diamond) that denotes an aesthetic sensibility and trend that emerged as a flamboyant counterpart to the ostentation of the Shoin style, prevalent during the Kamakura and Muromachi periods. Originally, the term described a mode of performance in which one deliberately disrupted musical or dance rhythms to stand out. It later became associated with Basara feudal lords, who competed through extravagant attire and sophisticated, ostentatious behavior. Basara aesthetics were also expressed through the utensils and settings of tasting contests and lavish tea gatherings, orchestrated as grand demonstrations of wealth and refinement. While the Shoin style was ascending, the world of tea was simultaneously evolving in the opposite direction, giving rise to the Soan style, an aesthetic that celebrated austerity and simplicity rather than opulence.Museum comparison:Compare a closely related stoneware Basara chawan, by Aziki Hiro, Heisei period, dated 1997, 10.8 cm diameter, in the Metropolitan Museum of Art, object number 2005.245.

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拍品估价:800 - 1,500 欧元 起拍价格:800 欧元  买家佣金: 30.00%

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