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KITAOJI ROSANJIN: A KURO ORIBE WARE MIZUSASHI (FRESH WATER JAR)
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12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
KITAOJI ROSANJIN: A KURO ORIBE WARE MIZUSASHI (FRESH WATER JAR)By Kitaoji Rosanjin (1883-1959), signed with the artist's mark Ro and signed and sealed to the tomobakoJapan, c. 1950, Showa period (1926-1989)Superbly potted in a cylindrical form with horizontal ribs, supported on a short concave foot and rising to a gently tapering neck with a flared, thick-lipped mouth. The surface irregularly covered in varying shades of lustrous black glaze, with transparent-glazed reserves decorated with geometric designs, and fitted with a rounded cover topped by a stylized flower bud. The base unglazed, revealing the buff-colored ware underneath, incised with the artist's mark RO.With the original wood tomobako (storage box) inscribed by the artist Kuro Oribe, mizusashi, ROSANJIN saku [Black Oribe style, water container, made by Rosanjin] and sealed Hoshigaoka kama [Hoshigaoka kiln].The cover inscribed and authenticated to the interior by Kuroda Totoan I (Kuroda Ryoji): Rosanjin sensei saku, Tot-an kiju [made by Master Rosanjin, authenticated by Totoan, aged 77] with the seal Totoan.HEIGHT 20.8 cmCondition: Excellent condition.Kitaoji Rosanjin (1883–1959), born Kitaoji Fusajiro in Kyoto as the son of the head priest of Kamigamo Shrine, was one of the most celebrated and multifaceted Japanese artists of the Showa period. Trained in calligraphy under Okamoto Ippei, he spent two years in China (1908-1910) studying calligraphy and seal carving before returning to Japan, where he began to explore ceramics and their relation to food presentation. In 1919 he opened an art gallery in Tokyo and soon after founded the Bishoku Club, serving cuisine on his collection of traditional wares. The destruction of this collection in the Great Kanto Earthquake of 1923 led him to create his own ceramics, and in 1927 he established a kiln in Kamakura with the assistance of potter Arakawa Toyozo. Initially imitating classical Japanese traditions such as Mino, Shigaraki, Bizen, and Kutani, as well as Ming blue-and-white porcelains, Rosanjin soon distinguished himself with original designs of great simplicity and daring, often enriched with calligraphic elements. His work played a decisive role in reviving Japanese ceramic traditions threatened by war and industrialization. In 1954 he exhibited at the Museum of Modern Art in New York under the auspices of the Rockefeller Foundation and subsequently traveled in Europe, meeting artists such as Pablo Picasso and Marc Chagall. The following year, one of his Oribe wares was designated an Important Cultural Property of Japan, and in 1959 he declined the honor of being named a Living National Treasure, a distinction rarely refused.Kuroda Totoan I, also known as Kuroda Ryoji (1905–1987), founded Ginza Kuroda Touen in 1935 as a gallery dedicated to Japanese modern and contemporary ceramics and antiques. He met Rosanjin Kitaoji at a calligraphy salon in 1933, forming a friendship that led to the opening of the gallery in central Tokyo, initially specializing in Rosanjin's work. Together they explored new possibilities in ceramic art, and the gallery soon exhibited works by leading modern ceramic artists including Shoji Hamada, Kanjiro Kawai, Toyo Kaneshige, and others. The gallery was destroyed during the 1945 Tokyo air raids but reopened in 1948, adapting to the postwar diversification of Japanese art and supporting a new generation of talent. Located on Ginza Street, a major center of cultural and commercial life, Ginza Kuroda Touen continues to uphold its founding vision by honoring tradition while embracing innovation in the ceramic arts.

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拍品估价:1,500 - 3,000 欧元 起拍价格:1,500 欧元  买家佣金: 30.00%

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