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A LARGE BRONZE FIGURE OF YUME-CHIGAI KANNON BOSATSU, LATE EDO PERIOD
奥地利
12月05日 下午5点 开拍 / 12月03日 下午3点 截止委托
拍品描述 翻译
Japan, 19th century, Edo period (1615-1868)Finely cast, depicted gracefully standing in samabhanga atop a double-lotus pedestal, with his right hand raised in semui-in (abhaya mudra) and the left lowered beside the body with the palm facing downward. The Bodhisattva richly attired with a flowing skirt arranged in stylized folds draped across the waist and embellished with beaded jewelry. His rounded face conveying a serene expression, with downcast eyes beneath gently arched brows, a slender nose, and full lips, all framed by long, pendulous earlobes. The hair neatly gathered beneath a foliate crown centered with the image of Shaka (Buddha Shakyamuni). With an engraved artist's seal to the lower back area.HEIGHT 69.7 cmWEIGHT 7.4 kgProvenance: From a private collection in Hungary.Condition: Very good condition with minor wear and casting irregularities. Occasional minor nicks to exposed areas and few minute dents to the lotus stand. The bronze surface with a dark, naturally grown patina.Yume-Chigai Kannon, literally Dream-changing Kannon, represents a specific manifestation of Kannon Bosatsu, traditionally believed to transform inauspicious dreams into auspicious ones. An early extant example of this Bodhisattva, dating to the 8th century, is preserved at Horyu-ji Temple in Nara, one of the earliest Buddhist temples in Japan and a UNESCO World Heritage Site. The figure exhibits stylistic features approaching the mature Tenpyo aesthetic, marking a culmination of the Hakuho style, evident in the pure and youthful physiognomy of the Bodhisattva and in the refined treatment of drapery and proportion. The gilt-bronze sculpture holds the status of National Treasure of Japan.Kannon Bosatsu, known in Sanskrit as Avalokiteshvara, meaning 'The Lord Who Regards All', and in Chinese as Guanyin, is one of the two principal attendant bodhisattvas (kyoji) of Amida Nyorai (Buddha Amitabha), together with Seishi Bosatsu. The role of Kannon is to witness and listen to prayers and cries from those who suffer in the earthly realm, offering guidance toward salvation. As the embodiment of compassion, Kannon is among the most widely venerated divinities in Asia and Japan, both in ancient and modern times. In sacred texts, Kannon appears as a bodhisattva who attains enlightenment but postpones Buddhahood until all beings can be saved, and is frequently mentioned in numerous Mahayana sutras, most notably in the Lotus Sutra. Worship of Kannon began in India around the first and second century AD and later spread throughout Southeast Asia, China, and Korea. Veneration in Japan began in the late sixth century, soon after Buddhism reached the Japanese archipelago through Korea and China. Initially represented as male, Kannon was later portrayed in female form in China, Japan, and other East Asian countries, each culture adapting the image of Kannon according to local temperament and spiritual concepts.Museum comparison:Compare a related bronze figure of Kannon Bosatsu, Edo period, 107.7 cm high overall, in the Walters Art Museum, accession number 54.1605.Auction comparison:Compare a related smaller bronze figure of Kannon Bosatsu, Edo period, probably 18th-19th century, 26.4 cm high, at Christie's, An Inquiring Mind: American Collecting of Japanese and Korean Art, 22 April 2015, New York, lot 15 (sold for USD 9,375 or approx. EUR 11,000 converted and adjusted for inflation at the time of writing).

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拍品估价:4,000 - 8,000 欧元 起拍价格:4,000 欧元  买家佣金: 30.00%

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