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A fine and rare large lacquer box and cover with mother-of-pearl inlays
德国
12月09日 下午4点30分 开拍 / 12月07日 下午3点 截止委托
拍品描述 翻译

Description

A fine and rare large lacquer box and cover with mother-of-pearl inlays
Korea, Joseon Dynasty, ca. 17th cent.
40 x 33,5 x 12 cm
The lid and the four sides are decorated with a pattern of large peony petals and foliage.
From an important German private collection, acquired at Christie's London, 11 April 1984, lot 357 (4860.- GBP), published full-page in colour

The present box and cover with fine mother-of-pearl inlay is an outstanding example of Joseon dynasty lacquer art. It demonstrates the Korean innovation of enhancing the texture of larger shells by applying a cracked pattern before inlaying, as seen on the leaves and petals. James Watt surmises that this pattern of "random cracks" may be comparable to the hairline cracks on thick celadon vessels (see James C.Y. Watt and Barbara Brennan Ford, East Asian Lacquer: The Florence and Herbert Irving Collection, New York, 1991, p. 317). Such cracks may also have served to enhance the shimmering play of colours in the mother-of-pearl. Watt also suggests a general scheme for the development of 15th and 16th century Joseon lacquerware, according to which later lacquerware from this period has simpler floral motifs, more geometric tendrils and only one type of flower (rather than a variety of types growing from the same scroll) (see ibid., pp. 308-310). The dating of lacquerwork from the early Chos?n period is fraught with difficulties, as no reliable chronology is available to date. Curved vine or flower motifs, usually peonies or lotus flowers, are characteristic of inlay work from this period. Unlike in later phases, fine strips of mother-of-pearl rather than metal wire were generally used for the tendrils. It is also striking that different flower types can emerge from the same tendril. Very early 15th century pieces often have ogival panels and densely filled backgrounds, which often consist of circular dot patterns. The leaves and petals are indicated by a characteristic cracked pattern in the inlaid mother-of-pearl. In the course of the 17th century, the shapes of the leaves and foliage became simpler, the tendrils became more regular and more geometrically structured; in addition, the leaves now appeared open. At the same time, the use of metal wire begins again, with each tendril now showing only one type of flower.

A very similar box and cover in the collection of the British Museum is published - Age cracks, part. old rest. and minor age damages

Feine und seltene Deckeldose aus Lack mit Perlmutt-Einlagen
Korea, Joseon-Dynastie, ca. 17.Jh.
40 x 33,5 x 12 cm
Der Deckel und die vier Seiten mit einem Muster sind mit einem Muster aus gro?en Pfingstrosenblüten und Blattwerk.
Aus einer bedeutenden deutschen Privatsammlung, erworben bei Christie's London, 11. April 1984, Lot 357 (4860.- GBP), publiziert ganzseitig in Farbe

Die vorliegende Deckeldose mit feiner Einlegearbeiten aus Perlmutt ist ein hervorragendes Beispiel für Lackkunst aus der Joseon-Dynastie. Sie zeigt die in Korea beheimatete Innovation, die Textur gr??erer Muschelstücke durch das Einbringen eines Rissmusters vor dem Einlegen zu verbessern, wie es bei den Blüten und Bl?ttern zu sehen ist. James Watt vermutet, dass dieses Muster ?zuf?lliger Risse” m?glicherweise mit den Haarrissen auf dicken Seladon-Gef??en vergleichbar ist (siehe James C.Y. Watt und Barbara Brennan Ford, East Asian Lacquer: The Florence and Herbert Irving Collection, New York, 1991, S. 317). Solche Risse k?nnten auch dazu gedient haben, das schimmernde Spiel der Farben des Perlmutt zu verst?rken. Watt schl?gt auch ein allgemeines Schema für die Entwicklung der Joseon-Lackwaren des 15. und 16. Jahrhunderts vor, wonach sp?tere Lackarbeiten aus dieser Zeit einfachere Blumenmotive, geometrischere Ranken und nur eine einzige Blumenart (anstelle einer Vielzahl von Arten, die aus derselben Schriftrolle wachsen) aufweisen (siehe eb

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拍品估价:8,000 - 12,000 欧元 起拍价格:6,000 欧元  买家佣金: 33.00%

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