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A famille Rose Porcelain Basin China, Qing Dynasty,Qianlong Period, 1736–1795)
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12月08日 晚上7点 开拍 /2天22小时
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Description

A famille Rose Porcelain Basin China, Qing Dynasty,Qianlong Period, 1736–1795)
Diameter: 38.5 cm (15.2 inches)
Porcelain decorated with overglaze famille rose enamels
This substantial circular porcelain basin features a gently flaring rim and a well-proportioned, deep body. It is distinguished by its dense, compartmentalized, and highly auspicious decoration, executed in a vibrant palette of Famille Rose enamels complemented by contrasting grounds. The basin's surface is organized into concentric bands of complex imagery:
Central Medallion: The primary scene depicts an elegant lady (meiren) engaging with children, a motif symbolizing maternal harmony, fertility, and the wish for many sons (bai zi). The scene, set in a garden or courtyard, is delicately painted in famille rose pinks, blues, and greens. Inner Band: The medallion is framed by a broad band featuring lotus scrolls executed on a striking black ground. This contrast combining the jewel-like enamels with the dense, dark ground is a hallmark of sophisticated Qing decorative work.
Well and Cavetto: The inner wall is the most densely layered section, featuring two main decorative fields
Ruyi Cartouches: Four prominent cartouches shaped like the head of the ruyi scepter (a symbol of fulfillment and good fortune) enclose further scenes of children (bai zi), playing games or engaged in scholarly pursuits. These cartouches are set against a finely painted light celadon ground decorated with the swastika fret pattern (a symbol of ten thousand years and eternity), bats (fu) a rebus for happiness and scrolling lotus blossoms.
Rim and Overall Design: The wide, flaring rim is reserved for a border featuring dynamic dragons amid swirling clouds and lotus scrolls. The dragon is a powerful imperial symbol, while the overall density of the design, incorporating multiple layers of famille rose and geometric grounds, is characteristic of the mid-18th century, demonstrating the technical mastery of the Jingdezhen potters during the Qianlong period. Basins of this size and quality were luxury goods, often commissioned for high-ranking members of the Qing court or wealthy merchants, used for washing implements or holding water for decorative purposes. The elaborate iconography, focused heavily on fortune and progeny, confirms its status as a highly auspicious object.


(Diameter: 38.5 cm (15.2 inches))

French private collection


Minor surface wear and rubbing to the enamels, a piece broken off and reglued in a half-moon shape (approximately ) on the basin's rim

Dimensions: Diameter: 38.5 cm (15.2 inches)

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