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Meiji era (1868-1912), late 19th/early 20th centuryComprising a figure group representing one of the Nijushi-ko doji kagami (Twenty Four Paragons of Filial Piety for Children) depicting Kakkyo (Chinese: Guo Ju) and his wife unearthing a pot of gold in the hole they were digging in order to bury their infant son, signed Kikusen, 7cm (2?in) high; the second a humorous model of the Shichifukujin (Seven Gods of Good Fortune) enacting a daimyo procession, Hotei and Daikoku carrying Benten in a palanquin over a drum bridge, signed on the base in a carved red-lacquer seal Kazuaki, 5.5cm x 6cm (2 1/8in x 2 3/8in); the third an okimono netsuke of Ebisu holding a large tai fish over the head of a seated Daikoku leaning against his sack, signed Masatsugu, 5.1cm (2in) high; the fourth Hotei giving a karako (Chinese boy) a piggy-back, unsigned, 4.6cm (1 13/16in); the last Fukurokuju, holding a tama on a tray and accompanied by two Chinese boys, one playing a flute, signed on the base in a carved red-lacquer reserve Kazumasa, 6.2cm (2 3/8in) high. (5).