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TSUKIOKA YOSHITOSHI: TRIPTYCH OF THE BATTLE OF SANNO SHRINE AT TOEIZAN TEMPLE
奥地利
01月23日 晚上6点 开拍 / 01月21日 下午3点 截止委托
拍品描述 翻译

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TSUKIOKA YOSHITOSHI: TRIPTYCH OF THE BATTLE OF SANNO SHRINE AT TOEIZAN TEMPLE

By Tsukioka Yoshitoshi (1839-1892), signed Oju Taiso Yoshitoshi
Japan, dated 1874

Color woodblock print on paper. Vertical oban triptych. Signed Oju Taiso Yoshitoshi; publisher Rokka-en. Battle of Sanno Shrine at Toeizan Temple.

In this dramatic battle, the new Meiji forces (combined Satsuma and Choshu forces) defeated the Shogitai militia (Tokugawa loyalists) in a massacre at Sanno Shrine, during the May 1868 Battle of Ueno, ending the shogunate in Japan. Saigo Takamori (1827-1877) led the new Meiji forces to Sanno Shrine to meet the Shogitai militia, under Amano Hachiro (1831-1877). Amano Hachiro is pictured on the far right, conversing with a soldier, away from the heat of battle. Strict prohibitions by the Tokugawa government against depicting contemporary or recent historical events were lifted after the Meiji Restoration of 1868. This print is one of Yoshitoshi's first attempts at realistically depicting a current event. Having directly witnessed the Battle of Ueno, he depicts the cruel realities of the battlefield. The initiative he took in realistically depicting violence brought him great attention in the Meiji era.

SIZE of the sheet 35.9 x 24.8 cm (each)

Provenance: Collection of John A. Stevenson, thence by descent. John A. Stevenson has long been a well-established name within the study of Japanese art history, especially for his research and publications related to woodblock prints, particularly the artist Tsukioka Yoshitoshi. Born in the United Kingdom in 1944, John began his world-spanning career soon after graduation from Oxford University. He went first to Nigeria, then Hong Kong, afterwards residing in a variety of East Asian locales including Taiwan, Thailand, South Korea, Vietnam, and China. It was in the 1980s that he began publishing on the art of Yoshitoshi, including Yoshitoshi's Thirty-six Ghosts (1983), Yoshitoshi's Women (1986), and continuing into the 1990s with Yoshitoshi's One Hundred Aspects of the Moon (1992). Beyond Yoshitoshi's prints, he also published writings on contemporary Japanese paintings and prints, Vietnamese ceramics, and both Western and East Asian history.
Condition: Very good condition with minor wear and vibrant colors. Scattered foxing, creasing, and flaking to pigment. Tiny tears, small losses and cuts along the edges. The back with an inscription.

Tsukioka Yoshitoshi (1839-1892) was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (present-day Tokyo), he showed a strong interest in classical Japanese literature and history. When he was eleven, he became a student at Kuniyoshi Utagawa’s studio. Under his teacher’s guidance, he showed exquisite draftsmanship skills and learned how to draw from life, something not necessarily part of the training of schools of painting and illustration in Japan.

Museum comparison:
A closely related print by the same artist, with similar signature, is in the Tokio Museum, document number 97200034-97200036.

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