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全球拍卖首页 > Horizontal Enchere > 印度、喜马拉雅及亚洲艺术 > Lot 1272
LEE UFAN (B. 1936), ATTRIBUTED TO, GLUE AND MINERAL PIGMENT ON CANVAS
法国
02月22日 晚上9点 开拍 /8天17小时
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拍品描述 翻译
Image Size :17 7/8 by 20 3/8 inches (45.5 by 52 cm) All measurements are approximate. Signed (lower right) Lee Ufan a Korean painter was born in 1936 in the mountains of Gyeongnam Korea into a Confucian family and was deeply influenced by traditional Eastern thought from an early age. He studied poetry calligraphy and painting and was particularly interested in the natural beauty of landscape painting and its profound implications as well as the Chinese thought of Laozhuang. He was a professor at Tama Art University and is currently a visiting professor at Tokyo University of the Arts and in 1997 was a visiting professor at the Ecole Nationale Superieure des Beaux-Arts in Paris France. Today he lives and works in Japan and France. This piece by Lee Ufan created with glue and mineral pigment on canvas is a quintessential example of his “Mono-ha” aesthetic. The composition features repetitive blue brushstrokes that gradually fade from top to bottom creating a rhythmic and gradient effect. This minimalist approach emphasizes the temporality and naturality of the creative process evoking a meditative and tranquil ambiance. Through this work Lee explores the profound philosophy of “being and nothingness ” making it a rare and exceptional masterpiece. Image Size :17 7/8 by 20 3/8 inches (45.5 by 52 cm) All measurements are approximate. Signed (lower right) Lee Ufan, a Korean painter, was born in 1936 in the mountains of Gyeongnam, Korea, into a Confucian family and was deeply influenced by traditional Eastern thought from an early age. He studied poetry, calligraphy, and painting, and was particularly interested in the natural beauty of landscape painting and its profound implications, as well as the Chinese thought of Laozhuang. He was a professor at Tama Art University and is currently a visiting professor at Tokyo University of the Arts, and in 1997 was a visiting professor at the Ecole Nationale Superieure des Beaux-Arts in Paris, France. Today he lives and works in Japan and France. This piece by Lee Ufan, created with glue and mineral pigment on canvas, is a quintessential example of his “Mono-ha” aesthetic. The composition features repetitive blue brushstrokes that gradually fade from top to bottom, creating a rhythmic and gradient effect. This minimalist approach emphasizes the temporality and naturality of the creative process, evoking a meditative and tranquil ambiance. Through this work, Lee explores the profound philosophy of “being and nothingness,” making it a rare and exceptional masterpiece.

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