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A CARVED AND PAINTED WOOD HELM MASK, OJUEGU OR ODUMADO, IGALA CULTURE, NIGERIA, CIRCA 1900
奥地利
03月11日 晚上6点 开拍 /5天2小时
拍品描述 翻译
This lot is from a single owner collection and is therefore offered without reservePublished: Kristian Fenzl and Armand Duchateau, Afrika-Kopfskulpturen, 1998, Kunsthalle Krems, Krems an der Donau, p. 122, Tafel 66 and on the back cover.Exhibited: Kunsthalle Krems, Afrika-Kopfskulpturen, Krems an der Donau, 26 July 1998 - 18 October 1998.Scientific Analysis Report: A certificate from Istituto Internationale Ricerche Autenticità di Ogetti d'Arte, Milano, from 12 March 1997, certificate number 132, confirms the dating above. A copy of the report accompanies this lot.The helmet mask is carved with vertical bands alternating with herringbone motifs across the forehead. The eyes are nearly closed, their prominent lids coated in white kaolin, above an elongated nose and pursed lips, with C-shaped ears to either side. The coiffure is rendered in parallel ridges, featuring a semicircular recessed panel at the front filled with fine lines, highlighted in white, and lined with a braided band; a matching recess appears at the back. Additional bands descend from the temples toward the mouth, with a stylized beard to each side.Art Loss Register: Certificate reference number S00266167 from 16 December 2025. A copy of this document accompanies this lot.Provenance: Galerie Walu, Zurich, 1990. A Swiss private collection, acquired from the above. Collection of Gerhard Merzeder (b. 1963), internationally published and acclaimed fashion and portrait photographer, Vienna, Austria, assembled since the 1980s. The family-owned Galerie Walu has been specialized in cultures of sub-Saharan Africa since 1957, supported by decades of hands-on experience in the African art market.Condition: Good condition with expected old wear, some signs of weathering, natural cracks, old fills, flaking of the pigments, few nicks, and little rubbing. Fine, naturally grown patina. Weight: 1.6 kgDimensions: Height 33 cmOjuegu masks evoke Egu, the spirit of the dead, linked to ancestors. It appears during the Yam Festival, a very important event that celebrates the yam harvest and is intended to attract the blessings of the gods and spirits to the fertile lands.The oversized eyelids give it an inward, contemplative gaze and an unapproachable grace, reinforcing the overall impression of dignified serenity. Because of indications of a historical relationship between the Igala and the Yoruba, some authors see in these impressive, tranquil ancestor masks a formal affinity with the bronze heads of Ife.Literature comparison:Compare a closely related odumado mask, Igala culture, dated 19th-20th century, 31 cm tall, in the Minneapolis Institute of Art, accession number 2000.1. Compare a closely related wood mask, Egu Ojuegu, Igala culture, dated late 19th to early 20th century, 36.5 cm tall, in the Musée du Quai Branly Jacques Chirac, inventory number 70.2023.62.4. Compare a closely related odumado mask, Igala culture, dated mid-20th century, 35.2 cm tall, in the African Art Museum, Smithsonian Institution, object number 97-18-1.Auction result comparison: Type: RelatedAuction: Sotheby's New York, 21 November 2022, lot 70Price: USD 11,340 or approx. EUR 10,500 converted and adjusted for inflation at the time of writing: Igala Helmet Mask, Nigeria Expert remark: Compare the similar from, incised pattern, and size (33 cm).

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