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A POLYCHROME FIRED CLAY TSA-TSA DEPICTING TSONGKAPA, 18TH-19TH CENTURY
奥地利
03月11日 晚上6点 开拍 /5天
拍品描述 翻译
This lot is from a single owner collection and is therefore offered without reserveTibet. Brightly painted in polychrome pigments, the figure depicts Tsongkapa, the founder of the Gelug school of Tibetan Buddhism, seated in dhyanasana on a tiered base supported by four bodhisattvas emerging from water, with his hands held before his chest. Tsongkapa wears the distinctive pointed yellow hat and monastic robes, his face bearing a sincere expression, all backed by a nimbus and flanked by lotus stems.Provenance: Collection of Philippe Icher (b. 1956), French ceramic artist and collector, whose works are held in numerous renowned collections throughout Europe. His collection, assembled over several decades during his travels across Asia, includes Himalayan, Tibetan, and Nepalese artifacts that have profoundly inspired his artistic practice.Condition: Very good condition with minor wear and manufacturing flaws. Few nicks, minuscule dents, and light scratches. The pigments are well-preserved.With a wood presentation box. (2)Weight: 1,055 g (excl. box), 2,699 g (incl. box) Dimensions: Height 19.6 cmTsongkhapa (1357-1419) is widely regarded in Tibet as a second Buddha and the main teacher of the first Dalai Lama, Gendun Drub (1391-1474). An eminent scholar, he reformed the old Kadampa sect, creating the new Gelugpa sect (Yellow Hat), and is the founder of the monasteries Ganden, Drepung, and Sera. He is revered as an emanation of the Buddhist god of wisdom, Manjushri.A tsa-tsa is a type of votive tablet depicting a hollowed, reversed image of either a stupa, sacred symbol, or a one of the many deities from Vajrayana Buddhism. Its Tibetan name, which translates to 'earth-imprint,' is associated with the Sanskrit word for 'holy image' or 'reproduction' (sat-chaya), as well as 'stamp' or 'mold impression' (canchaka), which is derived from the Prakrit word for modeling (sacchava or sacchaka). In traditional methods, tsa-tsa are formed with clay, where it is pressed using a wooden, stone, or metal mould and then left to dry. In modern practices, more durable materials such as resin, plaster, hydro-stone, or even pewter are used instead.To Tibetans, creating tsa-tsas is a spiritual practice that accumulates merit and fosters well-being. It is one of Vajrayana Buddhism's five preliminary practices, aimed at eliminating obstacles, purifying negativity, and generating positive energy. Practitioners often aim to create 100,000 tsa-tsas in their lifetime. These sacred tablets are displayed in altars, stupas, prayer wheel niches, or holy sites and serve as protective amulets when placed in portable shrines (gau). Tsa-tsas symbolize the Buddha's blessings and may include sacred substances, such as ashes or hair of revered figures, to enhance their spiritual potency.Literature comparison: Compare a closely related polychrome clay tsa-tsa, Tibet, dated to 18th-19th century, 7.3 cm (high), in the British Museum, registration number 1880.161. Compare a related pressed loam tsa-tsa of Amitayus, Tibet, 18th century, in the Rijksmuseum, object number AK-MAK-198. Compare a related polychrome clay sculpture of Tsongkhapa, dated to the 17th-18th century, in the World Museum Vienna, inventory number 74648.

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拍品估价:300 - 600 欧元 起拍价格:150 欧元  买家佣金: 30.00%

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