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A RARE TERRACOTTA BUST AND HEAD OF A MALE DEITY, NOK CULTURE, NIGERIA, 500 BC - 200 AD
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03月11日 晚上6点 开拍 /4天23小时
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A RARE TERRACOTTA BUST AND HEAD OF A MALE DEITY, NOK CULTURE, NIGERIA, 500 BC - 200 ADThis lot is from a single owner collection and is therefore offered without reserveExhibited:1. Bergbau Museum, Afrika Ethno-Kunst, Klagenfurt, 19972. Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, NOK-2500 Jahre Hochkultur in Afrika, 19 May - 30 August 2006Scientific Analysis Report: An old TL test, dating from 24 October 1996, sets the firing date to ca. 2000 years ago, consistent with the dating above. A copy accompanies this lot. Finely modeled to depict a tall slender figure adorned with twine-form bindings at the arms, thick ropes that snake around the torso and waist, and the neck with a large circular collar. The face modeled with triangular eyes centered by pierced pupils, the mouth ajar flanked by a moustache, and a tall forehead framed by rows with tightly coiled curls.Art Loss Register: Certificate reference number S00266489 from 15 January 2026. A copy of this document accompanies this lot.Provenance: Austrian private collection. Collection of Gerhard Merzeder (b. 1963), internationally published and acclaimed fashion and portrait photographer, Vienna, Austria, assembled since the 1980s.Condition: Very good condition with expected old wear, signs of weathering and erosion, few fine natural cracks, obvious losses, a lower section and a knob at the chest reattached, four small perforations to the back, and two holes drilled for sample-taking to the lower edge of to the head.Weight: 7.8 kgDimensions: Height 45.5 cmWith a wood storage box. (2)The Nok terracottas are among the earliest known large-scale figurative sculptures in Africa, only preceded by Egyptian sculptural art. Sculptures of this kind were first discovered in 1943 by Bernard Fagg near the northern Nigerian village of Nok, after which the culture that produced them was named.Most Nok sculpture is hollow and coil-built like pottery. Finely worked to a resilient consistency from local clays and gravel, the millennia-long endurance of these ancient objects is a testament to the technical ability of their makers. This is not to say that Nok sculpture has survived unchanged by time. The slip of many Nok terracottas has eroded, leaving a grainy, pocked exterior that does not reflect their original smooth appearance. Most of the Nok sculpture found consists of what appear to be portrait heads and bodies fragmented by damage and age. The recovered portions of the baked clay bodies that have survived show that they were sculpted in standing, sitting, and genuflecting postures.Although every Nok sculpture is unique, certain stylistic traits are found throughout the corpus of known work. Triangular eyes and perforated pupils, noses, mouths, and ears combine to depict men and women with bold, abstracted features. Perhaps the most striking aspects of Nok sculptures are the elaborately detailed hairstyles and jewelry that adorn many of the figures. The variety, inventiveness, and beauty of their design is a beguiling record of cultivated devotion to body ornamentation.Literature comparison:Compare a closely related male figure, Nok culture, dated ca. 195 BC -205 AD, 49.5 cm high, in the Kimbell Art Museum, accession number AP 1996.03.Auction result comparison: Type: RelatedAuction: Zacke, Vienna, 16 October 2025, lot 269Price: EUR 58,500 at the time of writing: A Terracotta figure of a male deity, Nok culture, Nigeria, 500 BC-200 AD Expert remark: Compare the similar form, facial features, and material. Note the size (75 cm).

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拍品估价:3,000 - 6,000 欧元 起拍价格:1,500 欧元  买家佣金: 30.00%

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