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A VERY LARGE (220 x 102 CM) PAINTING OF A COSMIC MAN, LOKAPURUSHA, BIKANER, LATE 18TH CENTURY
奥地利
03月11日 晚上6点 开拍 /5天2小时
拍品描述 翻译
This lot is from a single owner collection and is therefore offered without reserveIndia, Rajasthan, circa 1775. Opaque pigments on textile. Set inside a frame behind glass. The cosmic man dressed in green and adorned with multiple pieces of jewelry, standing on a lotus, with eight rows of seated figures and assorted squares at his chest, the Jambudvipa at his waist, and seven rows of animals and figures at his legs, the face with four temples on the cheeks, a crescent moon at the forehead, and a winged peri bearing a fan at either side, flanked by pink flowers, all on a red background surrounded by a yellow border with a floral vine.Provenance: Collection of Sven A. Behrendt, Salzburg, Austria, assembled from the 1960s onwards, with acquisitions made during his extensive travels worldwide. Note that Behrendt's important non-Asian collection was sold in a single-owner sale titled “A Worldwide Grand Tour: The Sven A. Behrendt Collection" at Sotheby's London, 2 December 2025.Condition: Very good condition with expected wear, some flaking to pigment, minor fading to colors, few creases, possibly minuscule touchups, and minor soiling. The frame with traces of wear and use. Dimensions: Image size 220 x 102 cm, Size incl. frame 255 x 139 cmThe cosmic man is a popular theme in late Jain painting although its origins are evident from the fourteenth century. This example is a striking and beautiful painting, characteristic of the north Rajasthan region centered around Bikaner state.The cosmological scheme of the adhaidvipa - world of the mortals - is 'superimposed on the human body in an attempt to homologize the microcosm with the microcosm (Pal, 1994, pp231). The human body symbolism is sub-divided into the adhaloka (lower world), madhyaloka (middle world), and urdhvaloka (upper world), each of which is represented differently. The depiction overall thus acts as cosmic representation - both a picture for the worship of the mandala of the world of the mortals and the enormous body form of Lord Mahavira - the twenty forth Jina, which also embodies the three worlds.The evil lower world is represented by seven horizontal registers of various colors depicting various carnal acts. The middle world, with the point of origin at Mount Meru and the concentric world of mortals, incorporating all humanity, flora and fauna, is placed over the navel of the cosmic man; the origin myths of man and universe being aligned very literally. The upper world of the gods, in its orderly formulation of courtly tiers, is located on the torso of the cosmic man. The iconography, stylization and chromatic palette of this painting draws from illustrations in contemporaneous manuscripts such as the Samgrahanisutra.Auction result comparison: Type: Closely relatedAuction: Christie's New York, 20 March 2009, lot 1344Price: USD 47,500 or approx. EUR 62,500 converted and adjusted for inflation at the time of writing: A painting of a lokapurusha, India, Rajasthan, Bikaner, c. 1775Expert remark: Compare the near identical rendition and colors. Note the much smaller size (132.1 x 63.5 cm).

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