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民國 王大凡及無款粉彩仕女長條瓷板兩塊
美国
03月22日 晚上9点 开拍 /15天19小时
拍品描述 翻译
Sight dimensions: H: 31 1/4, W: 7 3/4 in. (H: 79.4, W: 19.7 cm. (each))
Overall dimensions: H: 38 1/4, W: 14 3/4 in. (H: 97.2, W: 37.5 cm. (each))
Two Chinese famille rose porcelain plaques
one by Wang Dafan (1888-1961), one unsigned
英文描述:Both depicting court ladies, one plaque with inscription, signature and two seals. (2).
Provenance:From Mrs. Dalton, Potomac, Maryland. Mrs. Dalton was born in Shanghai in the 1940s. Her parents left Russia in the 1920s and settled in Harbin, China, later moving to Shanghai and Hong Kong before immigrating to the United States in the 1950s. The present items were collected by Mrs. Dalton’s mother in Shanghai and Hong Kong. Two matching plaques from the same collection were previously sold in our auction on September 15, 2023 (Lot 112); those examples were inherited by her sister, Mrs. Jolvitz.
来源:馬里蘭州波托馬克Dalton夫人收藏。Dalton 夫人生於1940年代的上海,其父母于1920年代離開俄羅斯,遷居中國哈爾濱,後移居上海及香港,並于1950年代移民美國。本件拍品為Dalton夫人之母于上海及香港期間所收藏。 同一來源之兩件配對瓷板曾於本行2023年9 月15日拍賣(拍品編號112)中售出,由其姐妹Jolvitz夫人繼承。
Condition:Both in overall good condition.
品相:總體品相良好
高清細圖鏈接:https://oag.smugmug.com/191-March-DAY-2
英文长介绍:Artist Biography Wang Dafan (1888–1961), given name Kun and sobriquet Xiping Jushi, was a leading figure among the celebrated Zhushan Bayou (Eight Friends of Zhushan) in Jingdezhen during the Republican period. Renowned for his depictions of elegant ladies in famille-rose enamels, Wang studied initially under Wang Xiaotang before synthesizing a wide range of influences. He successfully integrated the brush idiom and poetic sensibility of traditional literati painting with porcelain decoration, establishing a refined personal style characterized by meticulous execution and lyrical atmosphere. His portrayals of ladies were already highly sought after by collectors during his lifetime and are widely regarded as the finest examples of Republican-period porcelain figure painting. Inscription and Seals Inscribed: “With bamboo in the heart, the brush gives birth to flowers even in dreams. Painted in the autumn month of the xin-si year (1941) by Wang Dafan of Yishan.” Seals: Dafan (red); Wang Dafan (white). Description The present pair of elongated porcelain panels represents a classic and highly accomplished example of Wang Dafan’s celebrated figure compositions, preserved together as a matched pair—an increasingly rare survival. One panel depicts an elegant gathering of ladies in a garden courtyard. Beneath the shade of pine trees, a woman sits quietly at a table within a moon-gate window, her expression gentle and introspective, while two other ladies stand in the courtyard, their flowing robes animated with graceful movement. The palette is soft and harmonious, with fluid figure outlines and carefully balanced rocks and foliage, evoking a refined sense of seclusion and feminine elegance associated with the inner chambers. The companion panel portrays ladies in a pavilion setting. Ancient cypress trees rise with sculptural vigor beside an elegant pavilion, where three ladies are shown holding a fan or playing the qin, their gestures composed and serene. The subtle shading of the garments and natural color transitions create a gentle rhythm, forming a visual dialogue with the first panel—one interior and tranquil, the other open and animated—yet unified in mood and composition. The porcelain body and glaze are of exceptional quality. The panels are finely potted with a dense, refined body and coated with a lustrous, thick white glaze typical of superior Republican-period Jingdezhen porcelain. Painted over a boli bai (“glass-white”) ground, the famille-rose enamels are delicately shaded, particularly in the faces and drapery, where tonal gradations are handled with remarkable finesse. The result preserves the richness of Qing dynasty famille-rose while introducing the fresh elegance characteristic of Republican porcelain painting. Works by Wang Dafan depicting elegant ladies are inherently scarce, and pairs preserved intact are particularly rare. This pair not only exemplifies the artist’s mature style but also ranks among the most desirable examples of Republican-period famille-rose porcelain panels. Equally suitable for refined interior display in a grand residence or private salon, and for inclusion in a serious collection of modern Chinese ceramics, the present panels combine historical significance, artistic excellence, and strong market appeal.
See below references for similar items: Sotheby’s, New York, September 2018, lot 384.
中文长介绍:王大凡(1888—1961),名堃,號希平居士,是民國時期景德鎮“珠山八友”之一,以粉彩仕女題材聞名於世。他早年師從汪曉棠,後博採眾長,將傳統文人畫的筆墨意趣與粉彩瓷繪工藝完美融合,形成了“工細典雅、意境悠遠”的個人風格,其仕女作品更是被譽為“民國瓷繪仕女之冠”,在當時就備受藏家追捧。 款識:寫生胸有竹,入夢筆生花。時在辛巳(1941年)秋月,黟山王大凡畫 鈐印:大凡(朱);王大凡(白)。 此對粉彩仕女長條瓷板,是王大凡仕女題材的典型佳作,成對保存,尤為難得。瓷板繪庭院仕女雅集圖,松蔭掩映下,一女子於月洞窗內憑幾而坐,神態溫婉;另有兩位仕女立于庭中,衣袂飄飄,顧盼生姿。畫面設色妍雅,人物線條流暢,背景山石、草木點綴得當,盡顯“庭院深深、閨閣雅趣”的古典意境。另一件繪亭台仕女圖,古柏蒼勁,亭台雅致,三位仕女或持扇、或撫琴,神態嫺靜,衣紋暈染細膩,色彩過渡自然,與左側瓷板形成“一靜一動、一內一外”的呼應,構圖均衡,意境統一。 本品胎釉精良:瓷板胎質細膩堅致,白釉瑩潤肥厚,釉面光淨如鏡,是民國景德鎮優質白瓷的典型代表。以“玻璃白”打底,再施彩渲染,人物面部、衣紋暈染細膩,色彩過渡自然,既保留了清代粉彩的華麗,又融入了民國瓷繪的清新淡雅。王大凡的仕女瓷板存世量本就有限,成對完整保存者更是鳳毛麟角,這對作品不僅是其藝術風格的集中體現,更是民國粉彩瓷板收藏中的珍品。 既適合高端廳堂、會所陳設,彰顯主人的審美品位,也可作為高端收藏之選,兼具歷史價值、藝術價值與市場潛力。
相似藏品可參閱:蘇富比拍賣2018年09月紐約拍賣,編號384。

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