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全球拍卖首页 > Galerie Zacke > 亚洲艺术集珍 - 第一天 > Lot 0154
A FINE DING CARVED 'LOTUS' HEXAFOIL BOWL, NORTHERN SONG DYNASTY
奥地利
04月16日 下午5点 开拍 /19天8小时
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Published & Exhibited:1. Priestley & Ferraro, The Ageless Garden: Botanical Beauty in Chinese Art, London, November 2024, no. 132. Priestley & Ferraro, Song Ceramics & Works of Art, London, November 2015, no. 6China, 960-1127. The bowl is elegantly potted with thin, slightly rounded sides flaring to a lobed rim, fluidly carved on the interior with lotus blossoms and leaves on slender stems, covered inside and out with a lustrous, pale cream-toned glaze with the exception of the mouth revealing the fine, white body.Provenance: A Japanese private collection of early ceramics. Sotheby's Hong Kong, 24-25 November 2014, lot 1008, sold for HKD 437,500 or approx. EUR 62,500 (converted and adjusted for inflation at the time of writing). Priestley & Ferraro Chinese Art, acquired from the above. The bowl and box each with a label from Priestley & Ferraro Chinese Art inscribed with an inventory number, '2064'. Priestley & Ferraro Chinese Art was a London-based dealership founded in 1994 by David Priestley and Benedicta Ferraro, specializing in early Chinese art for nearly three decades. David Priestley studied Song dynasty ceramics under Mary Tregear at Oxford before joining Sotheby's London, where he served as a specialist in the Chinese Department. The gallery focused particularly on Song ceramics, lacquer, and jade, and was a regular participant of Asian Art in London and Asia Week New York. Condition: Superb condition with minor wear and firing irregularities including few dark spots, expected minor abrasion to the rim, occasional light scratches.Weight: 341 g Dimensions: Diameter 21.8 cmWith a padded storage box. (2)Dingzhou patterned porcelains rival the beauty of carved red jade, When Lugong brews tea in Sichuan style.by Su Shi (1037-1101), Poem on Tea Brewing at the Examination HallIn his 1072 poem Shiyuan jiancha (Tea Brewing at the Examination Hall), the Northern Song literatus and statesman Su Shi recalled an occasion when his friend Wen Yanbo brewed tea in a carved Ding white-glazed bowl, noting that the red hue of the tea resembled carved red jade against the luminous glaze. This account shows that Ding bowls were not only used for tea drinking but were also prized by Song literati for the striking contrast between the white glaze and the tea's color. Su Shi's later appointment as Governor of Dingzhou in 1093—home to the Ding kilns—further underscored his close association with these wares, and his praise helped establish their enduring prestige.The present bowl is particularly desirable for its elegant form, fluent carving, and resplendent glaze. By the late Northern Song period, the Ding kilns peaked in the production of carved decoration and the technique of inverted firing (fushao) was in widespread use. Carved decoration involved intricately etched patterns on the surface of the porcelain before glazing, often depicting delicate floral motifs or abstract designs. This method added a layer of visual depth and texture to the pieces, enhancing their elegance. The fushao technique, or inverted firing, required placing the porcelain upside down in the kiln, often atop a bed of ash. This process ensured a smooth, even glaze and allowed for the precise control of color and sheen, resulting in a refined and lustrous finish that became a hallmark of Ding ware. These combined techniques produced works of exceptional beauty and sophistication, exemplifying the high point of Song dynasty porcelain craftsmanship.Literature comparison:Compare a closely related Ding carved bowl, dated to the Northern Song dynasty, 11th-12th century, 22.8 cm diameter, formerly in the Oppenheim Collection and now in the British Museum, registration number 1947,0712.59, illustrated in The World's Great Collections: Oriental Ceramics, vol. 5., pl. 20. Compare a closely related Ding carved bowl from the Qing Court collection and still in Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum, Porcelain of the Song Dynasty, Hong Kong, 1996, p. 60, no. 52. Compare a closely related Ding carved bowl, dated to the Song dynasty, 25 cm diameter, in the National Palace Museum, Taipei, accession number 故瓷003053N000000000. Compare a closely related Ding carved 'daylily' bowl, dated to the Song dynasty, in the China National Museum, illustrated in Ding Kiln of China, Beijing, 2012, p. 347 and 412.Auction result comparison:Type: Closely relatedAuction: Christie's Hong Kong, 26 November 2018, lot 8005Price: HKD 1,750,000 or approx. EUR 223,000 converted and adjusted for inflation at the time of writing: A fine ding carved 'lotus' hexafoil bowl, Northern Song dynastyExpert remark: Compare the closely related form, glaze, carved decoration, and lotus motif. Note the size (19.7 cm).Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 9 April 2024, lot 44Price: HKD 698,500 or approx. EUR 79,500 converted and adjusted for inflation at the time of writing: A carved Dingyao 'lotus' bowl, Northern Song dynastyExpert remark: Compare the closely related form, glaze, carved decoration, lotus motif, and size (21 cm). Note the metal-bound rim.

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