| 中文版 English

具体要求

其它要求

-
关闭
A 'PRAYING MANTIS AND HORNBILL' WOOD CANOE PROW, ASMAT, CASUARINA COAST, 17TH CENTURY
奥地利
04月16日 下午5点 开拍 /19天13小时
拍品描述 翻译
A 'PRAYING MANTIS AND HORNBILL' WOOD CANOE PROW, ASMAT, CASUARINA COAST, 17TH CENTURYPublished: Jac Hoogerbrugge (ed.), Ukiran-ukiran kayu Irian Jaya (The Art of Wood Carving in Irian Jaya), 1977, no. 22.Indonesia, Western New Guinea. Of openwork form, the composite prow carved in a stylized form to depict a human figure seated atop a stool, his feet striding the sides, a praying mantis sitting upright to his feet, balancing a hornbill on its gently rounded head, the bird's large beak tipping the chin of the human, as its clawed feet press against the belly. The flattened conical face of the human detailed with sunken almond-shaped eyes below arched brows, sharp nose with pierced nostrils, and conical headdress covering his head. Carved with recessed niches and geometric markings painted red.Provenance: From the private collection of Jac Hoogerbrugge, Netherlands, acquired in 1956 and thence by descent. The figure inscribed with an inventory number '1913' and another which has been struck out, '58.' A copy of a sketch of the present lot by drawn by Jac Hoogerbrugge, labeled 1913, accompanies the lot. Jac Hoogerbrugge (1923-2014) was an astute collector and connoisseur of tribal art. Serving as a transport agent and, subsequently, as a United Nations official in Indonesia and New Guinea allowed him to probe deeply into the ritual art of the Batak (North Sumatra), Lake Sentani, the Humboldt Bay, the Asmat (New Guinea), and the Dayak (Borneo). Later in life, having returned to the Netherlands, he continued to hunt out items of ethnographic interest in flea markets, at auctions, but also by means of his excellent connections in missionary circles and with former colonials. At the same time he explored colonial and missionary archives in order to contextualize and document the objects he found. Condition: Very good condition with expected wear, minor age cracks, small losses, chips, signs of weathering, and losses to pigments. A fine, naturally grown patina overall.Weight: 2.9 kg Dimensions: Height 74.5 cmThe Asmat, a Papuan people of approximately 60,000 souls live in the densely forested mangrove swamps and adjoining rainforests on the southwest coast of Indonesian Irian Jaya. Their cultural tradition comprised elaborate cosmologies, intricate initiatory cult systems, headhunting practices and, related to all this, one of the most spectacular ritual woodcarving practices worldwide.Among the Asmat of southwestern New Guinea (Indonesian Papua), head-hunting was historically embedded within a complex cosmological and social framework rather than functioning as indiscriminate violence. Warfare and the taking of heads were closely linked to ancestral veneration, initiation rites, and the restoration of spiritual equilibrium between the living and the dead. The human head was understood as a seat of vital force (often conceptualized as ndam), whose acquisition was necessary to ensure fertility, social continuity, and the proper naming of children.Within this symbolic universe, animal imagery frequently served as metaphor and cosmological referent. The praying mantis occupies a particularly striking position. Its raptorial forelegs and poised, anthropomorphic stance visually echo the gestures of capture and decapitation associated with head-hunting. In Asmat visual culture, insects—including mantises—are not merely naturalistic observations but embodiments of predatory power, stealth, and transformative force. The mantis' sudden strike and capacity to grasp prey with precision resonate with ideals of warrior efficacy and controlled aggression.Moreover, Asmat carving traditions—especially in bisj poles and shield designs—often compress human, ancestral, and animal attributes into hybrid forms. In this context, mantis imagery may operate as a metaphorical extension of ancestral potency: a visual shorthand for the swift, decisive act through which social and spiritual balance is restored.Auction result comparison: Type: Closely relatedAuction: Sotheby's Paris, 10 December 2014, lot 51Price: USD 17,500 or approx. EUR 20,500 converted and adjusted for inflation at the time of writing: Carved element of a secondary pole, Asmat region, Papua New GuineaExpert remark: Compare the closely related openwork motif with human figures and stylized birds. Note the size (123 cm).

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

委托价 (已有0次出价)

欧元

价格信息

拍品估价:2,000 - 4,000 欧元 起拍价格:2,000 欧元  买家佣金:

拍卖公司

Galerie Zacke
地址: Sterngasse 13, 1010 Vienna, Austria
电话: 0043-1-5320452
邮编: 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士