| 中文版 English
书画 陶瓷 玉石 佛造像/唐卡 金属器 家具 漆器 竹木牙角 紫砂 鼻烟壶 钱币邮品 名酒 奢侈品 其它
Calendar
Today
< >

具体要求

其它要求

-
关闭
全球拍卖首页 > Galerie Zacke > 亚洲艺术集珍 - 第二天 > Lot 0612
A RARE BRONZE FIGURE OF A DRUM PLAYER, MATURE TO LATE HARAPPAN PERIOD, CIRCA 2600-1750 BC
奥地利
04月17日 下午5点 开拍 /18天
上一件 下一件
拍品描述 翻译
A RARE BRONZE FIGURE OF A DRUM PLAYER, MATURE TO LATE HARAPPAN PERIOD, CIRCA 2600-1750 BC Indus Valley Civilization. Standing on an integral base, playing a small hand drum, the nude figure with broad shoulders, muscular torso, and strong legs. The face modeled with a sincere expression, heavy-lidded downcast eyes, a sloping nose, framed by a fringe and short bob cut.The bronze with a naturally grown vibrant patina with distinct areas of malachite and cuprite encrustations.Provenance: A private collection in Italy. Leonardo Vigorelli, Bergamo, Italy, acquired from the above. Leonardo Vigorelli, a retired Italian art dealer and renowned collector, once specialized in African and ancient Hindu-Buddhist art. With a background in anthropology and decades of travel and field research across India, the Himalayas, Southeast Asia, and Africa, he founded the prestigious Dalton Somaré art gallery in Milan, now managed by his two sons.Condition: Very good condition, commensurate with age. Expected casting irregularities, small losses, tiny fissures to the legs, some rubbing, scattered nicks and scratches, signs of weathering and encrustations. Invisible old repairs remain a possibility, but nothing could be detected under strong UV light.Weight: 446 g (excl. stand), 733 g (incl. stand)Dimensions: Height 15.3 cm (excl. stand), 21.9 g (incl. stand)With an associated stand. (2)Expert's note: It is a curious irony that a culture defined by the Bronze Age has left behind so few surviving bronzes. The present piece is therefore a rare and significant testament to the metalworking traditions of the Indus Valley Civilization. The deep antiquity of metallurgy in the region is already attested at Mehrgarh, where a 6,000-year-old copper 'wheel' amulet was uncovered at a Neolithic farming settlement, demonstrating that experimentation with metal long predated the rise of Indus urbanism. While earlier scholarship tended to regard metal production as the preserve of elite control, more recent research suggests that access to copper and bronze was relatively widespread across Indus society. Bronze figures such as the present example were likely produced across the civilization's urban centers, appearing most prominently during the Mature Harappan period and continuing into the Late Harappan phase. Owing to the constant recycling and reuse of metal, intact examples of this kind are exceptionally uncommon.Did you know?The Indus Valley Civilization was connected to Ancient Egypt through the vast interregional trade networks of the Bronze Age world. Flourishing alongside Egypt and Mesopotamia, the Indus Civilization participated in a dynamic system of long-distance exchange that linked South Asia to the Near East and, through Mesopotamian intermediaries, to the eastern Mediterranean. Distinctive Indus goods—particularly finely crafted carnelian beads and other high-value, portable commodities—moved westward across these networks and likely circulated within Egypt's broader commercial sphere. In this way, the Indus world formed part of an interconnected economic landscape that bound together the great civilizations of the third millennium BC. See a related copper figure of a nude male with a similar hairstyle from the Old Kingdom of Egypt, dated 6th Dynasty (c. 2345-2181 BC), 10.6 cm high, in the British Museum, registration number EA50732.Anthropomorphic representations of both male and female figures have been recovered from numerous sites associated with the Indus Valley Civilization. These examples are typically characterized by a degree of stylization, with an emphasis on the sexual attributes while deliberately omitting detailed treatment of the hands, feet, and facial features, as exemplified by the present figure, with its pronounced genitalia. Here, the engorged phallus is not conceived as erotic in nature, but rather as expressions of virility, potency, and the generative force embodied by the male principle, although the precise significance of these representations remains elusive.Literature comparison:Compare the famous Mature Harappan bronze figure of a dancing girl, dated c. 2000 BC, 10.5 cm high, in the National Museum, New Delhi. Compare a related Mature Harappan bronze figure of a male spear thrower or dancer, found at Chanhiyun Jo Daro (Chanhudaro), Joint Expedition of the American School of Indic and Iranian Studies and the Museum of Fine Arts, 1935-1936 Season. Compare a related bronze figure of a nude woman riding two brahman bulls, dated late Harappan period, 2000-1750 BC, 14 cm high, in the Metropolitan Museum of Art, object number 2015.505.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

委托价 （已有0次出价）

欧元
电话提醒

价格信息

拍品估价：4,000 - 8,000 欧元 起拍价格：4,000 欧元  买家佣金：

拍卖公司

Galerie Zacke
Galerie Zacke
地址： Sterngasse 13, 1010 Vienna, Austria
电话： 0043-1-5320452
邮编： 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种：
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时，请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种：
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账，所以请您在汇款时，选择足额到账，或在汇款金额的基础上加上汇款手续费（如25美金）。
4. 国际转账汇款时， 您需要知道海外拍卖行以下汇款信息：
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码（8位字母数字组合，必填项， 如： BFKKAT2K）
* 收款银行清算码（9位数字组合，选填项）
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输， 您只需要支付相关的运费及保险费（如您需要）即可；有的海外拍卖行会推荐几家长期合作的运输公司， 这些运输公司有着良好的信誉和高质量的工作效率，您大可放心。您只需要提供您的收货地址， 竞得拍品账单。 运输公司会根据您提供的信息给您报价， 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了， 信用卡是最常用的支付手段， 当然还有其他像PayPal，转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税，需由包裹接受人（即买家）自行承担。 征收标准：具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品，如枪支、管制刀具、象牙、犀角等；中国买家不得通过本平台参与上述物品的拍卖活动；任何情形下，买家均须对自己的竞拍行为独立承担责任。
服务热线：400-608-1178
查看全部小贴士