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A fine and rare Chinese gilt-bronze figure of Water-Moon Guanyin, Ming dynasty, 17th century 十七世紀 銅鎏
英国
05月13日 下午5点 开拍 /8天19小时
拍品描述 翻译
金水月觀音坐像 The bodhisattva sat in lalitasana, dressed in ornate robes delicately incised with foliate decorations and terminating in a long curling fringe, the garments open at the chest to reveal elaborate jewelled necklaces and tied at the waist with a sash, her right hand gently tipping a kundika, spilling the contents within, her right hand holding a mani, a wish-fulfilling pearl, her serene face with downcast eyes below arched eyebrows and over pursed lips, her hair tightly pulled back into two long ponytails, fastened with a headband surmounted by a detachable leaf crown cast in relief with the Buddha AmitabhaDimensions:28cm highProvenance:Private British collection, formed in the 1980s-1990s 來源: 英國私人收藏(成型於 1980 年代至 1990 年代)Notes:Seated in lalitasana and clutching a wish-fulfilling pearl (mani), this figure is a depiction of the Water-Moon Guanyin (Shuiye), and is derived from paintings executed during the Tang dynasty, and which no longer exist. These paintings served as inspiration for sculptors, and were particularly popular during the Song and Yuan dynasties. A figure from the Speelman collection, offered at Sotheby's Hong Kong, 8th April 2014, lot 88, shares comparable details to the present lot. The Speelman figure exhibits the subtle outlining of the lips and eyes, as well as the Sinicized form of the face, the latter emerging as a form during the mid-to-late Ming dynasty. The Speelman figure is dated to the 19th day in the second month of the 17th year during the Shunzhi reign, corresponding to 1660, which would lead us to determine that the present lot is also a 17th century piece. See a comparable Ming-period figure of Avalokiteshvara, dated to the 14th/15th century, offered at Sotheby's London, 11th November 2015, lot 198, after having previously been offered in the Hong Kong rooms, 28th April 1998, lot 926. This figure is depicted with a similar 'leaf' crown, and is also holding a small pearl. See also a figure offered at Sotheby's Paris, 10th June 2015, lot 31. This early Ming figure is also wearing a 'leaf' crown, and is positioned in a more exaggerated lalitasana pose. Compare another gilt-bronze figure of Guanyin with similar features, offered at Christie's New York, 19th March 2008, lot 398. See a comparable figure in the collection of the San Francisco Asian Art Museum, previously in the The Avery Brundage Collection, museum no. B60S532. Also see a figure of the Bodhisattva Avalokitesvara in Water-Moon manifestation in the Royal Ontario Museum, included in the exhibition 'The World of Khubilai Khan. Chinese Art in the Yuan Dynasty', The Metropolitan Museum of Art, New York, 2010, cat. no. 149. A more slender figure is in the British Museum, museum no. 1947,0712.392, and illustrated by W. Zwalf, ed., in 'Buddhism: Art and Faith', London, 1985, no. 298. 本尊造像呈自在坐,手持如意寶珠,為典型的水月觀音像。此形制源自唐代繪畫(原蹟已佚),其粉本深受雕塑家青睞,於宋元時期尤為盛行。 Speelman舊藏中有一尊造像,曾於2014年4月8日香港蘇富比拍賣,拍品編號 88。該造像在唇、眼的細膩線條,以及明中晚期興起的漢化面相上,皆與本品極為神似。由於斯皮爾曼造像帶有「順治十七年(1660年)二月十九日」之確切紀年,據此推斷本品亦應為 17世紀 之作。 倫敦蘇富比 2015年11月11日,拍品編號 198(曾於1998年4月28日香港蘇富比上拍,編號 926):一尊14至15世紀之觀音像,頭戴相似的葉型冠並手持寶珠;巴黎蘇富比 2015年6月10日,拍品編號 31:一尊明早期造像,亦戴葉型冠,唯其坐姿態較為誇張;紐約佳士得 2008年3月19日,拍品編號 398:一件特徵相近的銅鎏金觀音像。

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