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KANO SEISEN’IN OSANOBU: A VERY FINE SIX-PANEL ‘BIRDS AND FLOWERS’ BYOBU (FOLDING SCREEN)
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06月12日 晚上7点 开拍 / 06月10日 下午3点 截止委托
拍品描述 翻译
KANO SEISEN’IN OSANOBU: A VERY FINE SIX-PANEL ‘BIRDS AND FLOWERS’ BYOBU (FOLDING SCREEN)

By Kano Seisen’in Osanobu (1796-1846), signed Seisen’in Hoin hitsu with a red pot seal mark and another seal Seisen’in
Japan, first half of the 19th century, Edo period (1615-1868)

Ink, watercolors, gouache, and gold leaf on paper. Mounted on silk brocade on six black-lacquered wood panels with finely chased brass beautifully incised with karakusa and cherry blossoms. Finely painted in vibrant colors with white, red, and blue peonies, growing amid rocks, and scattered with small birds, all against a lustrous gold ground.

Inscriptions: To the lower left corner Seisen’in Hoin hitsu 晴川院法印筆 [painted by the honorary priest of Seisenin] with two seal marks, one reading Seisen’in.

SIZE 180.3 x 362 cm

Condition: Very good condition with minor surface wear, some scratches, few touchups to the gold ground and painted details. The back with traces of wear and age.

Kano Osanobu (1796–1846), son of the eminent Kano school painter Kano Eishin, was a leading figure of the late Edo period. Initially named Gyokusen, he later adopted the names Seisen, Seisenin, and the pen name Kaishinsai. Entering service at Edo Castle in 1810, he worked within the inner palace and, at the age of twenty-four, was granted the title of Hogen and the court rank of Nakatsukasakyo. Following his father’s death in 1828, he became the ninth head of the Kano family and was later elevated to the rank of Hoin. During the Tenpo and Koka eras (1830s–1840s), he directed major decorative projects at Edo Castle, including the wall paintings of the Nishinomaru and Honmaru palaces, overseeing large-scale workshop production. Continuing his father’s legacy, he engaged deeply with the study and reproduction of Chinese painting and classical Japanese scrolls, while also contributing to the transformation of the Kano style through a synthesis of tradition and more expressive, forward-looking approaches that would influence the development of modern Japanese painting.

Museum comparison:
Compare two related hanging scrolls of peonies by Kano Seisen’in Osanobu, dated first half of the 19th century, 119.1 x 45.6 cm (each), in the Museum of Fine Arts, Boston, accession number 11.4336 and 11.4334.

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