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A RARE RECTANGULAR GILT-BRONZE TRAY WITH REPOUSSÉ DECORATION OF CONFRONTED LIONS 铜鎏金捶揲双狮纹长方盘 China, Liao - Jin period (907-1234) Size.52.5 x 35.8 cm The vessel is rectangular in form, with a broad everted rim and supported on four f
爱尔兰
06月24日 晚上6点 开拍 /3天6小时
拍品描述 翻译
A RARE RECTANGULAR GILT-BRONZE TRAY WITH REPOUSSé DECORATION OF CONFRONTED LIONS 辽-金 铜鎏金捶揲双狮纹长方盘 China, Liao - Jin period (907-1234) Size.52.5 x 35.8 cm The vessel is rectangular in form, with a broad everted rim and supported on four feet. It is integrally formed using the repoussé technique, with crisp and well-defined lines and evenly controlled wall thickness, demonstrating the high level of sophistication achieved in metalworking during the Tang dynasty. The decorative scheme of the tray is clearly structured. At the center is a lobed lozenge-shaped medallion, within which a pair of confronted lions is rendered in chased gilt. The lions appear vigorous and dynamic, with flowing manes and a balanced, symmetrical composition. This design closely corresponds in both layout and iconographic type to the central motif of the gilt silver bowl with paired lions unearthed from the Hejiacun hoard and now in the Shaanxi History Museum, representing a classic auspicious lion motif of the Tang dynasty. The field surrounding the medallion is densely filled with scrolling floral vines (arabesques), among which are interspersed depictions of birds such as hawks or falcons, parrots, and wild geese. Some perch upon branches, while others spread their wings as if about to take flight, creating a lively interplay of movement and stillness and evoking the opulence and grandeur of the High Tang period. Along the everted rim runs a continuous band of pomegranate flowers and fruits, rendered in chased decoration. The fruits are full and rounded, and the foliage extends gracefully, conveying auspicious wishes for fertility, prosperity, and the continuity of the family line. The entire surface is finished in gilt over bronze, producing a striking contrast between the golden ornament and the copper ground, combining strong visual impact with refined craftsmanship. Overall, the decorative program both absorbs the medallion-based compositional scheme and auspicious animal imagery characteristic of metalwork from the Sasanian Empire, and incorporates traditional Chinese scrolling floral and avian motifs imbued with symbolic meaning. It stands as an outstanding example of the synthesis of foreign and indigenous techniques and aesthetics achieved by Tang artisans in the context of Silk Road cultural exchange, and provides valuable material evidence for the study of cross-cultural interaction, metalworking techniques, and ornamental systems in the Tang dynasty. 铜鎏金捶揲双狮纹长方盘,器呈长方形,宽折沿,下承四足,整体以捶揲工艺一体成型,线条规整挺括,器壁厚薄均匀,尽显唐代金属工艺的成熟水准。盘面装饰层次分明,中心设菱花形开光,开光内鎏金錾刻双狮相向纹,双狮体态矫健,鬃毛飞扬,构图对称饱满,与陕西历史博物馆何家村窖藏出土鎏金双狮纹银碗的中心纹饰布局、瑞兽范式高度契合,同属唐代狮纹瑞器的经典母题。开光外满布缠枝卷草纹,枝蔓婉转连绵,间缀鹰隼、鹦鹉、大雁等禽鸟纹,或栖于花枝,或振翅欲飞,动静相生,铺陈出一派雍容华贵的盛唐气象。折沿之上錾刻连续石榴花果纹,硕果饱满,枝叶舒展,取多子多福、家族绵延之吉意。通体采用铜鎏金工艺,金纹与铜地形成鲜明色彩对比,兼具视觉张力与工艺质感。整体装饰既吸收萨珊王朝金银器的徽章式开光构图与瑞兽题材,又融入中原传统缠枝禽鸟纹与吉祥寓意,是丝绸之路文化交流背景下,唐代工匠融汇中外工艺与审美的杰出成果,为研究唐代中外文化交流、金银器工艺与纹饰体系提供了珍贵的实物佐证。 Provenance: A Paris art instructor’s collection, purchased at Daguerre, Paris, 9th December 2022, lot 57.

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