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A RARE TERRACOTTA HEAD, CENTRAL SULAWESI, CIRCA MID-7TH CENTURY
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06月30日 下午5点 开拍 /9天1小时
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A RARE TERRACOTTA HEAD, CENTRAL SULAWESI, CIRCA MID-7TH CENTURYScientific Analysis Report: A thermoluminescence analysis report issued by CIRAM Science for Art Cultural Heritage on 18 June 2013, based on sample number 0613-OA-130R, sets the firing date of the sample taken to 600-800 AD, consistent with the dating above. A copy of the report accompanies this lot.Published & Exhibited: Martin Doustar, Austronesia & Beyond, Parcours du Monde, Paris, 5-10 September 2023, p.14-15, no. 2.Indonesia. The head of ovoid form, rising from a long neck. The face is subtly incised with closed eyes, a long nose, and smiling lips, while the top and back are detailed with a dotted pattern suggesting hair.Provenance: Collection of Dr. Jean Marcel Gayraud, Paris, France. Galerie Davide Manfredi, Paris, France. Martin Doustar, Brussels, acquired from the above. Davide Manfredi is a Paris-based dealer of tribal and ancient art from Southeast Asia who has traveled extensively in the region since the 1970s. Since 2008, he has owned and operated Galerie Pascassio Manfredi together with Alexandra Pascassio. Their clientele includes prominent private collectors of tribal art in Europe, North America, and Asia. The gallery has also placed objects in the collections of esteemed institutions such as the Musée du Quai Branly, the Metropolitan Museum of Art, the Museo Pigorini, the Yale University Art Gallery, the National Gallery of Australia, and the Asian Civilizations Museum. Martin Doustar is a Brussels-based art dealer and collector whose career spans more than two decades. He began his professional journey in the early 2000s with a focus on Modern Art, developing a keen interest in the ways early twentieth-century artists were influenced by 'primitive' art from Africa and Oceania. Over time, his connoisseurship expanded into archaeological and ethnographic fields, with particular expertise in the ancient arts of the Pacific, Africa, and pre-Columbian America, while also encompassing Asian material culture and modern masterpieces. He is the author of numerous scholarly catalogues and has organized thematic exhibitions on a wide range of subjects.Condition: Very good condition, commensurate with age. Expected wear, obvious losses, few fine cracks, two holes from sample-taking.Weight: 161 g (excl. stand), 259 g (incl. stand) Dimensions: Height 7.2 cm (excl. stand), 11 cm (incl. stand)With an associated metal stand. (2)Expert's note: A group of low fired terracotta figures discovered in Bulukumba at the southern tip of the province of Sulawesi Tengah was published by Gallery Bareo in 1990 (see Irene Lim-Reid, Borneo & Beyond, Gallery Bareo, Singapore, 1990, p. 16-17). Although that group of sculptures differ a bit stylistically from the above example, they share common features and similar purpose. Found in various sites scattered throughout the Island of Sulawesi, these objects are generally fragments of funerary jars, such as the terracotta head found in the British Museum (see literature comparison below). The present head, of great sensibility, was probably part of a torso that was used as a stopper. It displays a characteristic 'stargazer' shape with punctiform decoration.Literature comparison:Compare a closely related terracotta head, Central Sulawesi, in the Musée du Quai Branly, inventory number 70.2001.27.342. Compare a related terracotta jar stopper, Central Sulawesi, in the Musée du Quai Branly, inventory number 70.2001.27.403. Compare a related terracotta bust of a male figure, Sulawesi, dated ca. 500 BC-300 AD, in the Metropolitan Museum of Art, object number 1991.43. Compare a related terracotta head probably from the top of a jar, excavated in Ulu Leang 2, Area II, South Sulawesi, c. 1000 AD, in the British Museum, registration number 2000,1209.18.

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