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A SANDSTONE FIGURE OF BUDDHA MUCHALINDA, ANGKOR PERIOD, BAYON STYLE, LATE 12TH-EARLY 13TH CENTURY
奥地利
06月30日 下午5点 开拍 /9天4小时
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A SANDSTONE FIGURE OF BUDDHA MUCHALINDA, ANGKOR PERIOD, BAYON STYLE, LATE 12TH-EARLY 13TH CENTURYKhmer Empire. Finely carved, seated in dhyanasana upon the coiled body of the serpent king Muchalinda, his hands lowered in dhyana mudra, dressed in a modest uttarasanga. The face with downcast eyes and a benevolent expression, flanked by elongated earlobes. The hair is drawn back and piled over the domed ushnisha, while behind him rises the full-bodied naga, its powerful coils forming the seat and its seven heads rearing protectively around the Buddha. The monastic garments, the scales, and the naga heads display delicate and remarkably well-preserved incision work.Provenance: Collection of Olivier Maréchal, Belgium. Olivier Maréchal (b. 1973) is a noted Belgian collector and dealer specializing in the arts of India, Vietnam, and Thailand. He began his career in the mid-1990s, learning from his father who helped him with his first purchases. He later managed Surya Gallery in Brussels, Belgium.Condition: Good condition, commensurate with age. Extensive wear, obvious losses, chips and nibbling, scattered nicks and scratches, old repairs, signs of weathering and erosion, and encrustations.Weight: 40.5 kgDimensions: Height 65 cmMuchalinda is the name of a naga sheltering the Buddha from the elements after his enlightenment. When a storm raged and torrential rain fell for a whole week, the king of the nagas, Muchalinda, rose from the earth, coiling its body to form a seat and swelled its great hood to shelter Buddha. When the great storm had cleared, the serpent king assumed his human form, bowed before the Buddha, and returned to his palace. Seven-headed nagas are often depicted as guardian statues, carved as balustrades on causeways leading to main Cambodian temples, such as those found in Angkor Wat.While the Muchalinda scene appears in earlier South and Southeast Asian art, it was during the reign of the Khmer king Jayavarman VII (circa 1181-1218) that this representation gained prominence. Jayavarman VII, a devout Buddhist and prolific builder, emphasized healing and compassion throughout his empire, constructing hospitals and promoting religious imagery that reflected these values. The naga, often associated with healing powers, may have held personal significance for the king, who is believed to have suffered from physical ailments.This evocative sculpture belongs to a tradition that flourished under Jayavarman VII's patronage, reflecting both spiritual devotion and royal ideology. The powerful volume of his frame and squared face, with its wide, full lips and soft, benign expression, are characteristic of the period with the emphasis on simplicity compared to the more ornate representations of the Angkor Wat style of the 12th century.Auction result comparison: Type: Closely relatedAuction: Christie's Paris, 10 December 2025, lot 67Mid-Estimate: EUR 50,000: A sandstone figure of Buddha under Muchalinda, Cambodia, Khmer period, Bayon style, 13th centuryExpert remark: Compare the closely related modeling, manner of carving, and subject. Note the size (78 cm).Auction result comparison: Type: Closely related Auction: Christie's Amsterdam, 18 October 2005, lot 148 Price: EUR 33,460 or approx. EUR 53,500 adjusted for inflation at the time of writing : A Khmer, Bayon style, sandstone figure of Buddhamuchalinda, 13th century Expert remark: Compare the closely related modeling, manner of carving, and subject. Note the size (80 cm).Auction result comparison: Type: Closely related Auction: Christie's Paris, 14 December 2016, lot 24 Price: EUR 242,500 or approx. EUR 295,000 adjusted for inflation at the time of writing : An important sandstone figure of Buddhamuchalinda, Cambodia, Khmer, Bayon period, late 12th-early 13th century Expert remark: Compare the closely related modeling, manner of carving, and subject. Note the much larger size (147 cm).

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