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A DING FOLIATE-RIM BOWL, NORTHERN SONG DYNASTY, EX CARL KEMPE, PUBLISHED
奥地利
06月30日 下午5点 开拍 /9天4小时
拍品描述 翻译
Published: Bo Gyllensv?rd, Chinese Gold and Silver in the Carl Kempe Collection, Stockholm, 1953, p 105, pl. 106.China, 960-1127. Well potted with deep conical sides supported on a gently spreading foot and rising to an everted pie-crust rim, covered overall in a fine white glaze save for an unglazed ring to the interior and stopping irregularly above the foot revealing the ware.Provenance: The Carl Kempe Collection, thence by descent. Sotheby's London, 5 November 2008, lot 552 (part-lot). A private collection in the United Kingdom, acquired from the above. An American collector, acquired subsequently and thence by descent. Dr. Johan Carl Kempe (1884-1967) was a leading figure of the Swedish pulp and paper industry and an Olympic silver medalist. However, he is probably best known for his magnificent and legendary collection of Chinese art. The famous collection specialized in three principal areas, Chinese gold and silver from the Zhou to the Qing dynasty, Chinese white porcelains from the Song and Tang dynasties, and Chinese glass, but he also collected Chinese lacquer, snuffboxes, bronzes and other metalwork, enamels, hardstones, and Roman glassware. Kempe and his wife traveled to Mainland China for the first time in 1935, where he reportedly purchased around 250 objects. After his death, part of his collection was donated to the British Museum and the Museum of Art and Far Eastern Antiquities in Ulricehamn, some items were exhibited in 1971 by the Kempe Foundation which organized a touring exhibition to the United States showing 150 items of gold, silver and ceramics, and some objects were sold at auction houses including Sotheby's Hong Kong, while a substantial portion has remained in the family to this day.Condition: Very good condition with minor wear, firing irregularities, very small nibbles around the rim, and a 1.5 cm loss on the foot rim which most likely is original to the firing.Weight: 75.6 gDimensions: Diameter 11.2 cmThe booming demand for white wares is the product of a fresh aesthetic that was brought about by the newly established Song dynasty and the subsequent changes in the distribution of wealth and resources as well as a renewed discovery of the beauty of nature. In a quest to establish an identity that deviated from that of the Tang but aimed at reviving a romanticized concept of antiquity based on Han dynasty Confucian ideals, the scholar-elite of the Song promoted commercial liberalism which granted much freedom to the activities of merchants, brokers and landowners who in turn transformed the capital into a vibrant urban hub.Within this dynamic atmosphere, the Ding kilns of the Northern Song period experienced surges in development and popularity. Given the overall excellence of this white ware, it is natural that the court selected it as one of its official ceramics. Many Ding vessels were discovered in the tomb of Emperor Taizong's empress, who died in AD 977 and was later reburied in AD 1000. A large number of Ding vessels from the Qing court collection still remain in the Palace Museum, Beijing, and in the National Palace Museum, Taipei, several of them bearing inscriptions by the Qianlong Emperor. In his 1072 poem Shiyuan jiancha (Tea Brewing at the Examination Hall), the Northern Song literatus and statesman Su Shi recalled an occasion when his friend Wen Yanbo brewed tea in a carved Ding white-glazed bowl, noting that the red hue of the tea resembled carved red jade against the luminous glaze. This account shows that Ding bowls were not only used for tea drinking but were also prized by Song literati for the striking contrast between the white glaze and the tea's color. Su Shi's later appointment as Governor of Dingzhou in 1093—home to the Ding kilns—further underscored his close association with these wares, and his praise helped establish their enduring prestige.Literature comparison: Compare a closely related white ware bowl with lobed rim, dated to the Song dynasty, 11th century, 11 cm diameter, in the Ashmolean Museum, Oxford, accession number EA1956.1114.

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