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CARL KAUBA, EARLY 20TH C ART NOUVEAU GILT-BRONZE & PLIQUE-À-JOUR ENAMEL BUTTERFLY SCULPTURE "METAMORPHOSIS"
美国
08月10日 上午8点30分 开拍
拍品描述 翻译
H 24cm (9.45 in),Filigree Plique-à-jour: the most regal of enamels "Filigree” denotes the hair-thin gold wire painstakingly bent into cloisons; "plique-à-jour”, literally "letting the daylight in”, is the technique that leaves those cloisons without any metal backing. Because the temporary base on which the glass is fused must later be dissolved away, each firing risks total collapse: even a modest plaque demands half a year of work and is more often lost than saved. Born in 6th-century Byzantium, the secret vanished for centuries and was only re-mastered in late-19th-century Europe; today it survives almost exclusively on the dials of Patek Philippe, Vacheron Constantin and Breguet. The Butterfly Clock unites sculpture, horology and this ethereal enamel in a single tour-de-force. Conceived and modelled by the Viennese master Carl Kauba (1865-1922), the piece is animated by a clock-work of the highest refinement. As the mainspring unwinds, the plique-à-jour butterfly-maiden—her wings a stained-glass window of living light—rises imperceptibly from the rock-crystal base until, after hours, she stands erect and her filigree wings have opened to their full span. So slow is her progress that the eye cannot catch her moving; yet she is never still, transformed by infinitesimal degrees into a creature of poised flight. The patinated bronze base is signed twice by Kauba, once on the underside and again beneath the tail of the butterfly—an assurance of authenticity and genius. Here the value of the object far transcends mere time-keeping: it is sculpture, jewellery and mechanical theatre in one, conceived in that fertile moment when fin-de-siècle Vienna still believed that beauty could be engineered. To collect such a clock is to collect the very idea of wonder.

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拍品估价:60,000 - 80,000 美元 起拍价格:10,000 美元  买家佣金:

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