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AN IMPRESSIVE HANGING SCROLL PAINTING OF A WELCOMING DESCENT OF AMIDA BUDDHA AND BODHISATTVAS (AMIDO SHOJU RAIGO-ZU), MUROMACHI PERIOD
奥地利
09月02日 下午4点 开拍 / 08月31日 下午3点 截止委托
拍品描述 翻译
AN IMPRESSIVE HANGING SCROLL PAINTING OF A WELCOMING DESCENT OF AMIDA BUDDHA AND BODHISATTVAS (AMIDO SHOJU RAIGO-ZU), MUROMACHI PERIOD

Japan, late 14th to early 15th century, Muromachi period (1336-1573)
Ink, watercolors, and gold on silk. Mounted as a hanging scroll within a silk brocade frame with gold couched thread, chased bronze fittings and jikusaki (roller ends) and a wood futomaki (roller). Depicting Amida Buddha accompanied by twelve bosatsu (bodhisattvas) descending amidst white and gilt scrolling clouds against a vibrant blue ground, all shown standing in a celestial procession. Amida occupies the foremost position, his right hand raised in the semui-in (abhaya mudra), the gesture of reassurance and fearlessness. Flanking him are Seishi Bosatsu and Fudo Bosatsu, with Jizo Bosatsu positioned behind Fudo. The remaining nine bodhisattvas are arranged in vertical ranks behind them, forming a descending assembly characteristic of raigo imagery.
Image SIZE 91.3 x 38.7 cm, SIZE incl. mounting 165 x 57.5 cm
Provenance: Sotheby’s New York, 4 June 1992, lot 2. The collection of Kristen Tomassi and Axel Dieter Ball, Mallorca, Spain, acquired from the above. Kristen Tomassi, an architect and designer based in Mallorca, was married early in her life to Richard Branson, who was already rising to prominence with Virgin Records. Her enduring partnership was with German entrepreneur and architect Axel Dieter Ball (1942-2026), with whom she co-founded La Residencia in Deià in 1984. The hotel, a family-run haven celebrating art and music, helped shape the luxury hotel scene of Mallorca, where the couple spent most of their lives together until Axel sadly passed away this year. Together, they built an impressive collection of Himalayan art throughout the 1980s and 1990s, purchasing pieces from renowned dealers and auction houses including Rossi & Rossi, David Tremayne, Annapurna, Sotheby’s, and Christie’s. Objects formerly in their collection have been exhibited by the Museum of Asian Art, Hong Kong, and the Art Institute of Chicago, featuring also in the exhibition catalog by Pratapaditya Pal et al., Himalayas – An Aesthetic Adventure (2003).
Condition: Good condition with old wear, creasing, few tiny losses, minor touchups, and few loose threads to the frame.
With a wood storage box (tomobako) labeled Sotheby’s lot ‘2’, with two more Sotheby's label to the interior.
The raigo theme, which originated in China, was made popular with the teachings of the monk Genshin during the eleventh century. Raigo paintings were the principal images in Buddhist death rituals, used as a point of focus for the dying devotee. According to Pure Land Buddhist belief, Amida Buddha welcomes devotees to his paradise, the Western Pure Land, where they can achieve perfect spiritual development.
Museum comparison:
Compare a related hanging scroll painting featuring the Welcoming Descent of Amida, dated 1300-1333, 171.8 x 84.5 cm, in the Cleveland Museum of Art, accession number 1953.123. Compare a related raigo-zu hanging scroll, dated 14th century, in the Nara National Museum, image number H 055326.
Auction comparison:
Compare a related hanging scroll painting of Amida Raigo, dated 14th century, image size 117.5 cm x 53.5 cm, at Bonhams, Samurai · Snow · Spectacle ·, 7 November 2024, London, lot 281 (sold for GBP 14,080 or approx. EUR 17,500 converted and adjusted for inflation at the time of writing).

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