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A BUDDHIST PAINTING DEPICTING THE DEATH OF THE HISTORICAL BUDDHA, PARINIRVANA (NEHAN-ZU), DATED 1819
奥地利
09月10日 下午4点 开拍 / 09月08日 下午3点 截止委托
拍品描述 翻译
A BUDDHIST PAINTING DEPICTING THE DEATH OF THE HISTORICAL BUDDHA, PARINIRVANA (NEHAN-ZU), DATED 1819 This lot is from a single owner collection and is therefore offered without reserve Japan. Ink, watercolors, and gouache on silk. Mounted as a hanging scroll on a silk brocade frame with incised gilt-copper jikusaki (roller ends). Depicting Buddha reclining peacefully on a raised platform beneath flowering sala trees with a yellow phoenix perched on its verdant branches, attended by a large grieving assembly. Inscribed : The wood storage box inscribed, 涅槃佛 Nehanbutsu [Buddha of Nirvana] and with a dated inscription, 文政二年三月甲州 Bunseininen sangatsu Koshu [the 2nd year of Bunsei (1819) March at Koshu]. Provenance: Steen Str?mberg, Copenhagen, Denmark, by 2005. Jorgen Ruben, acquired from the above. In the Jorgen Ruben Collection for 21 years . Steen Str?mberg (1947-2014) was a Danish antiques dealer and collector. Active in the Scandinavian art and antiques market for several decades, he assembled and handled a wide range of works of art and antiques, building a reputation among collectors for his connoisseurship and discerning eye. Jorgen Ruben is a Danish art dealer and collector who has been active for over four decades and is highly regarded in the fields of Asian art and classical antiquities. Raised in an art-conscious family, Ruben was exposed early to both modern painting and European decorative arts. He began working in the art trade in the mid-1970s, first with Persian rugs and later with antiques, while travels to Iran and a visit to Persepolis sparked his lasting interest in antiquity. After studies in Copenhagen and London, he worked in England with a dealer in early furniture, before travelling widely in Latin America and Asia, deepening his knowledge of regional art and culture. In 1984 Ruben opened a gallery in Copenhagen dealing in Asian antiquities. He was later active in London and, in the early 2000s, operated the Brussels gallery Classic Art. Much of his career, however, has been conducted privately from home, selling by appointment to collectors, galleries, and museums. Ruben has always bought selectively, choosing only works that deeply engaged him, and often keeping them for many years until placing them with a collector he felt truly understood them. Important Note: For essential information on the Jorgen Ruben Gallery Ledger and provenance documentation please visit here: www.zacke.at/rubencollection_ledger Condition : Excellent condition with minor wear and good colors. Little soiling, some rubbing, and minor flaking to pigment. The mounting with traces of wear and use, and rubbing to gilt. Dimensions: Image size 75 x 91 cm, Size incl. mounting 160 x 98 cm With an inscribed wood tomobako (storage box). The Death of the Buddha , or Parinirvana, represents his transition from earthly existence to the ultimate release from suffering as an enlightened being, embodying fundamental principles of Buddhist doctrine. Witnesses to this defining moment are often depicted in such scenes revealing limited comprehension of enlightenment through expressions of grief. Bodhisattvas, enlightened beings who remain in the world to guide others toward liberation, maintain composed and solemn serenity. Shaven-headed disciples weep openly, joined by Hindu deities and protective guardians who have embraced the teachings of Buddha. Men and women of all social strata, accompanied by numerous animals, participate in the mourning, as Queen Maya, mother of Buddha, descends from the upper right, overcome with sorrow. The commemoration of Parinirvana is among the most significant observances in the Buddhist calendar, marking the final of the eight major events in the life of Buddha. Special ceremonies occur on the fifteenth day of the second month. From the Nara period (710–794) onward, large painted images depicting the passage of Buddha into ultimate nirvana became central to these ceremonies. Literature comparison: Compare a related scroll painting depicting the same subject, dated to the 19 th century, 150.5 x 150.3 cm, in the National Gallery of Victoria, accession number 1900-D1A.

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