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全球拍卖首页 > Galerie Zacke > 古董商精選 - Jorgen Illum Ruben 收藏 > Lot 59
A LARGE SANDSTONE FIGURE OF PRAJNAPARAMITA, BAYON STYLE, ANGKOR PERIOD, LATE 12TH-EARLY 13TH CENTURY
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09月10日 下午4点 开拍 / 09月08日 下午3点 截止委托
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A LARGE SANDSTONE FIGURE OF PRAJNAPARAMITA, BAYON STYLE, ANGKOR PERIOD, LATE 12TH-EARLY 13TH CENTURY This lot is from a single owner collection and is therefore offered without reserve The Jorgen Ruben Gallery Ledger, entry from 2005: “No. 330, LA 1978, A. Maynard, Khmer Bayon Prajnaparamita Uma, 12th-13th c. ” Gallery price: EUR 76,000 or approx. EUR 127,000 adjusted for inflation at the time of writing. Khmer Empire. Superbly carved in a sinuous outline with prominent breasts and a beautifully rounded belly, wearing a tightly fitted sampot resting low on the hips, incised with individual flower heads and held up with a floral-banded sash secured with a fishtail knot. The face with a serene expression, heavy-lidded sinuous eyes, and wide smiling lips, flanked by elongated earlobes, the hair piled up into a conical chignon centered by a diminutive figure of the Buddha Amitabha. Provenance: Adrian Maynard, London, by 1978. Collection of Leo Albrecht, Denmark, acquired from the above. Jorgen Ruben, acquired from the above before 2005. In the Jorgen Ruben Collection for at least 21 years . Adrian Maynard joined Spink & Sons in 1947, where he was appointed Director from 1962 and eventually Deputy Chairman until his retirement in 1984. He was a man of enormous drive and undoubtedly the most flamboyant character to take charge of the Asian art department, which he took to the height of its success. Maynard believed firmly that "a dealer, whose fortune and good name depends on knowing what to buy, has a much greater responsibility to be right about the objects that come into his hands than, say, an academic, who never handles large sums of money.” Leo Albrecht was a German-born publisher and literary agent who established himself in Copenhagen after the Second World War. In 1951 he founded his agency, which played an important role in expanding the international market for Scandinavian literature. He began collecting art in the late 1950s, with a particular focus on Asian sculpture. In Copenhagen, he spent much of his time visiting antique dealers, museums, and exhibitions. He developed especially close ties with Ole Haslund, Lau Sunde, and Freddy Hansen, among the most prominent dealers in their fields. He also traveled frequently to London, where he became close friends with Adrian Maynard. Jorgen Ruben first met Albrecht in 1984, and they quickly became close friends. Ruben later described him as a gentleman and “the greatest collector of Asian art in Denmark.” He acquired Albrecht’s entire Asian sculpture collection when Albrecht moved back to Germany after selling his publishing company. The two remained close, with Albrecht continuing to visit Denmark each summer and staying at the Ruben family’s beach house north of Copenhagen. Jorgen Ruben is a Danish art dealer and collector who has been active for over four decades and is highly regarded in the fields of Asian art and classical antiquities. Raised in an art-conscious family, Ruben was exposed early to both modern painting and European decorative arts. He began working in the art trade in the mid-1970s, first with Persian rugs and later with antiques, while travels to Iran and a visit to Persepolis sparked his lasting interest in antiquity. After studies in Copenhagen and London, he worked in England with a dealer in early furniture, before travelling widely in Latin America and Asia, deepening his knowledge of regional art and culture. In 1984 Ruben opened a gallery in Copenhagen dealing in Asian antiquities. He was later active in London and, in the early 2000s, operated the Brussels gallery Classic Art. Much of his career, however, has been conducted privately from home, selling by appointment to collectors, galleries, and museums. Ruben has always bought selectively, choosing only works that deeply engaged him, and often keeping them for many years until placing them with a collector he felt truly understood them. Important Note: For essential information on the Jorgen Ruben Gallery Ledger and provenance documentation please visit here: www.zacke.at/rubencollection_ledger Condition: Very good condition with expected wear, obvious losses, signs of weathering and erosion, old chips. Weight: 69.8 kg (incl. stand) Dimensions: Height 108 cm (excl. stand), 116 cm (incl. stand) With an associated stand. (2) The supple carving of bodily volumes lends this polished stone sculpture a levity and grace for which Khmer sculpture is renowned. It was likely created during the rule of King Jayavarman VII (r. c. 1181-1218), who identified himself with the Buddha and, in turn, equated his mother with Prajnaparamita, the mother of all Buddhas. He commissioned freestanding sculptures of the deity—the Goddess of Transcendent Wisdom—in the queen’s likeness, with a diminutive Buddha in her crown. This dual portrait demonstrates how the Khmer Empire adopted the Indian concept of Deva-Raja (God-King) and established its rule with divine order. The figure’s garment consists of a skirt, with a large triangular fold in front, decorated with floral ornaments; it is held in place at the waist by a wide jeweled belt. Jean Boisselier, who refers to this long sampot as a sarong, describes it in these terms: "The sarong is no longer made of pleated material, but is decorated with florets familiar from the bas-reliefs of Angkor Wat. The downturned edge has practically disappeared, the borders are defined by a narrow braid, and the front flap is folded over on itself and extends to a triangular point, remarkably like a shark's fin. Literature comparison: Compare a closely related sandstone figure of Prajnaparamita, also with an incised floral skirt and similar hairdo, dated approx. 1200, 95.9 cm tall, in the Asian Art Museum, San Francisco, object number B71S7. Compare a closely related sandstone figure of Prajnaparamita, dated late 12th-early 13th century, 130.8 cm high, in the Minneapolis Institute of Art, accession number 97.105. Auction result comparison: Type: Related Auction: Christie’s London, 12 May 2004, lot 179 Price: EUR 83,650 or approx. EUR 139,000 adjusted for inflation at the time of writing Description: A Khmer, Bayon-style, sandstone figure of Prajnaparamita, first half of 13th century Expert remark: Compare the closely related modeling, manner of carving, stone, and size (105 cm).

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