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A RED SANDSTONE FIGURE OF A CELESTIAL BEAUTY, SURASUNDARI, RAJASTHAN OR MADHYA PRADESH, 11TH CENTURY
奥地利
09月10日 下午4点 开拍 / 09月08日 下午3点 截止委托
拍品描述 翻译
A RED SANDSTONE FIGURE OF A CELESTIAL BEAUTY, SURASUNDARI, RAJASTHAN OR MADHYA PRADESH, 11TH CENTURY This lot is from a single owner collection and is therefore offered without reserve The Jorgen Ruben Gallery Ledger, entry from 2012: “No. 574, HK 2008, Ex UK Coll., Central Indian Lady under Palm tree, 11th c., ca. 76 cm h.” Gallery price: EUR 18,600 or approx. EUR 26,500 adjusted for inflation at the time of writing. India. Finely carved, standing in a dynamic pose with her left hand reaching for the long vines above her head, her body twisting in a dancing motion. Dressed in a diaphanous dhoti secured by a festooned belt, the deity is richly adorned with elaborate jewelry around her neck and waist. Her face with downcast almond-shaped eyes and full lips forming a beguiling smile, flanked by ears with large circular earrings, framed by the neatly incised hair in an elegant chignon. Provenance: A private collection in the United Kingdom. Hugo Kreijger, Netherlands, acquired from the above. Jorgen Ruben, acquired from the above in 2008. In the Jorgen Ruben Collection for 18 years . Hugo Kreijger is a Dutch scholar, author, and dealer specializing in the arts of the Himalayas and Asia. He studied South, Southeast, and Central Asian art and archaeology at the University of Amsterdam, graduating in 1980, and subsequently served as Head of the India, Himalaya, and Southeast Asia Department at Christie's Amsterdam until 1997. An acknowledged expert on Tibetan and Himalayan art, he has curated museum exhibitions, including Icons of Tibet (1989), and is the author of numerous scholarly publications, notably Tibetan Painting: The Jucker Collection (2001). Jorgen Ruben is a Danish art dealer and collector who has been active for over four decades and is highly regarded in the fields of Asian art and classical antiquities. Raised in an art-conscious family, Ruben was exposed early to both modern painting and European decorative arts. He began working in the art trade in the mid-1970s, first with Persian rugs and later with antiques, while travels to Iran and a visit to Persepolis sparked his lasting interest in antiquity. After studies in Copenhagen and London, he worked in England with a dealer in early furniture, before travelling widely in Latin America and Asia, deepening his knowledge of regional art and culture. In 1984 Ruben opened a gallery in Copenhagen dealing in Asian antiquities. He was later active in London and, in the early 2000s, operated the Brussels gallery Classic Art. Much of his career, however, has been conducted privately from home, selling by appointment to collectors, galleries, and museums. Ruben has always bought selectively, choosing only works that deeply engaged him, and often keeping them for many years until placing them with a collector he felt truly understood them. Important Note: For essential information on the Jorgen Ruben Gallery Ledger and provenance documentation please visit here: www.zacke.at/rubencollection_ledger Condition: Overall good condition with extensive wear, obvious losses, few old repairs, minor fills, structural cracks, chips, nicks, scratches, signs of weathering and erosion, encrustations, extensive remnants of pigments. Displaying very well. Weight: 29.9 kg (excl. stand), 40.7 kg (incl. stand) Dimensions: Height 70 cm (excl. stand) With an associated stand. (2) In Indian art, a surasundari (lit. 'beautiful goddess') is a young maiden characterizing feminine beauty and graceful sensuality. Buddhist and Jain shrines have featured sensual figures in form of yakshis and other spirits since the 2nd century BC. However, the surasundari motif gained prominence in Indian temple architecture only around the beginning of the 9th century. Shilpa-Prakasha, a 9th-century Tantric architectural treatise, declares a monument without a surasundari as inferior and fruitless. The 15th century text Kshirarnava states that the surasundaris should be depicted looking down (adho-drishti), not looking at someone. In temple sculptures, the surasundaris are often depicted as attendants of gods and goddesses. They also manifest as dancing apsaras. A salabhanjika or tree nymph is another variation of a surasundari. Literature comparison: Compare a related sandstone figure of a surasundari, dated to the 12 th century, Orissa, 85.4 cm high, in the Virginia Museum of Fine Arts, object number 2006.39. Auction result comparison: Type: Closely related Auction: Christie’s New York, 21 September 2007, lot 59 Price: USD 121,000 or approx. EUR 170,000 converted and adjusted for inflation at the time of writing Description: A red sandstone figure of Devi, India, Rajasthan or Madhya Pradesh, 10 th century Expert remark: Compare the closely related modeling and manner of carving with similar sinuous form, adornments, expression, and size (80.6 cm).

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